StepLoom vs ABDCTN

StepLoom is a fast, touch-first electronic music sketchpad for making beats, loops, basslines, and melody ideas on iPhone and iPad. It gives you the focus of a compact groovebox without the weight of a full DAW, so you can start a rhythm, shape a synth line, try an AUv3 instrument, arrange patterns, and keep moving while the idea is fresh. Create drum patterns with a step sequencer, write melodic parts with piano-roll style editing, stack chords, add legato, adjust BPM, mix tracks, and switch sounds. Add Sample tracks by importing audio or recording directly in the Tracks view, then use the waveform editor to trim, reverse, normalize, tune, and shape One-shot or Loop playback. The project Media Library keeps custom audio available for reuse and arrangement. Turn loops into songs with three complementary arrangement views: shape Patterns and audio clips on the Timeline, launch quantized Patterns and Scenes in Session, or build visual paths and probability rules in Flow. Draw or record automation for mixer controls and supported AUv3 parameters. When you want to go beyond the built-in sounds, add AUv3 instrument or effect plugins, choose exposed plugin presets, open compatible plugin interfaces, and activate Plugin Sound directly from the sound picker. Optional iCloud sync keeps compatible projects and project media available across your Apple devices. StepLoom continues to work locally when sync is disabled. StepLoom is built for quick electronic music drafts: open the app, tap a grid, hear the result, and turn a loop into a structured idea. Main features: - Touch-friendly beat and melody workflow - Drum, melody, and custom Sample tracks - Step sequencer with playback highlight and loop control - Piano-roll style melody editing with chords and legato - Audio import and microphone sample recording - Waveform sample editor with trim, reverse, normalize, gain, tuning, One-shot, and Loop controls - Project Media Library for reusable custom audio - Timeline editing with drag, resize, layers, sections, loop ranges, and multi-selection - Quantized Pattern and Scene launching with Session performance recording - Blueprint-style Flow rules with Next, Jump, Random, Stop, and probability - AUv3 instrument and effect plugin slots - Plugin preset reading for AUv3s that expose factory presets - Plugin Sound option for playing tracks through AUv3 instruments - Mixer and AUv3 parameter automation - Mixer controls for volume, pan, EQ, filter, drive, meters, master gain, and limiter - MIDI input and external clock sync options - Optional iCloud project and media synchronization - Export full songs or the current pattern as audio, stems, or MIDI - Adaptive iPhone and iPad layouts StepLoom is for producers, beatmakers, songwriters, and electronic music learners who want a focused place to capture musical ideas before moving into a larger DAW.

Every science-fiction film had a sound department, and somewhere in it stood a synthesizer. ABDCTN is that synthesizer, rebuilt for your phone and your iPad: not a collection of recordings of those sounds, but the machine that makes them. Theremins, saucers, tractor beams, alarms, talking computers, and everything in between, generated live from oscillators, filters and envelopes. Each sound is a starting point, yours to bend, stretch and rebuild until it is one nobody has heard before. THE PICTURE IS THE INSTRUMENT There are no knobs, no sliders, no menus. The whole screen is a farm at night, and everything on it is a control. The fence is the keyboard: planks are white keys, flower pots are black keys. The alien on the left is the envelope: pull its body for attack, stretch its neck for decay, lift and reach its hands for sustain and release. The alien on the right is the filter. Lift the cow's tail to detune, lift the whole cow into the beam and the reverb grows. Slide the barn door for volume. Raise the chimney for drive. Tap the hayloft window to crush the bits. The clouds are the LFO: how much, how fast, what shape. Drag the saucer higher and the echo follows. Tap a light on the saucer to choose a sound, tap the moon to change the bank. THE RAY GUN A ray gun hangs next to the moon, and it makes the farm play itself. Tap the gun to choose the ray's speed. Light blue sweeps every second, cyan every three seconds and pink every ten. Tap once more for static, which erases. Hold the gun and it comes off its hook. Point its tip at anything on the farm, and whatever lights up yellow can be hit: an alien's legs, neck or either hand, the cow or her tail, the saucer's dome, the barn door, the chimney, the hayloft window or a cloud. Let go and that part turns the ray's colour. It then sweeps from one end of its range to the other on its own, in time with the sound. The filter opens and closes, the cow floats up into the reverb and sinks back, the window flickers the crusher on and off, and the third cloud steps through the LFO shapes. Shoot as many parts as you like, each at its own speed. Touch a swept part and it holds still under your finger. Shoot a part with static to stop its ray, or double-tap the gun to clear every ray on the sound. Rays are saved with each sound and in your presets. In a host, every ray is an automatable parameter. Every edit is remembered per sound. Hold a light to take a sound back to the factory. A REAL SYNTHESIZER Two oscillators with band-limited saw and pulse, an endless Shepard stack for lifts that never stop rising, noise and ring modulation. A state-variable filter that sweeps from low-pass through band-pass to high-pass, with envelope, key tracking and LFO. Real stereo: the oscillators spread across the field, voices sit where their keys are, a ping-pong tape echo bounces between the speakers, a spring-like reverb on each side. IN THE STUDIO Works as an AUv3 instrument in AUM, Drambo, Logic Pro, GarageBand and other hosts, with the same picture inside the host and every control exposed as an automatable parameter. MIDI 2.0 with full MPE: per-note pitch bend, pressure and timbre, so expressive controllers play it the way they were meant to. A hold latch keeps chords sounding with no fingers on the screen, and the instrument keeps playing in the background from a MIDI keyboard. Save and load your own presets from the transmission log. Pay once, own it. No subscription, no ads, no account, no tracking, nothing leaves your device. Somewhere a cow is rising slowly into the light. She sounds wonderful.