Bass 3500 Amplifier vs EverSpace

"The unmistakable punch, definition, and flexibility of a legendary hybrid bass amplifier" Modeled after the legendary Hartke HA3500* bass amplifier Nembrini Audio Bass 3500 captures the powerful low end, fast transient response, and distinctive hybrid preamplifier design of the original amplifier. Key Features - Hybrid Preamp: Independently blend Tube and Solid State stages to combine harmonic warmth, clarity, definition, and punch. - Built-In Compressor: Controls peaks, evens out dynamics, and adds weight and consistency to the bass signal. The activity LED provides visual feedback for compression and limiting. - Ten-Band Graphic Equalizer: Provides ±15 dB adjustment at 30 Hz, 64 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 3 kHz, 5 kHz, and 8 kHz. - Contour Controls: Broad Low Pass and High Pass controls shape the low-frequency region around 100 Hz and the upper-frequency region around 10 kHz. - Pre-Amplifier Stomp Effects: Noise Gate, Envelope Filter, Octaver, and Modern Tubes Drive. Every pedal is draggable and reorderable for complete signal-chain customization. - Cabinet and Recording Chain: Four bass cabinet emulations, four microphone models, adjustable microphone positioning, tweeter controls, parallel D.I. processing, and three ambience environments. - Dual Impulse Loader: Load and blend up to two third-party impulse responses with level, pan, phase, Solo, and Mute controls. - Six-Band Parametric Equalizer: Detailed post-amplifier tone shaping with multiple filter types, adjustable frequency, gain, and Q. - Post-Amplifier Effects: Studio Compressor, bass-optimized Modulation, and Analog Delay. Every effect is draggable for flexible routing. - Cabinet Bypass: Bypasses the complete cabinet, recording chain, and impulse-loader section for use with external cabinet processors, IR loaders, or a real power amplifier and bass speaker system. PEDALS Four bass-focused stomp effects: Noise Gate, Envelope Filter, Octaver, and Modern Tubes Drive everything from clean control to synth-style lows and warm saturation. Each effect can be dragged to customize the signal order. CABINETS Choose from four bass cabinets and four microphone models, with adjustable mic placement and tweeter controls. Blend the cabinet signal with a processed D.I. channel and three ambience environments. IR LOADER Load and blend up to two third-party impulse responses. Each slot includes level, pan, phase, Solo, and Mute controls. EQUALIZER A six-band parametric equalizer provides precise post-amplifier tone shaping, with multiple filter types and adjustable Frequency, Gain, and Q. POST EFFECT Studio Compressor, bass-optimized Modulation, and Analog Delay complete the signal chain. Each effect is draggable for flexible routing Legal Disclaimer: Hartke HA3500 is a registered trademark of Samson Technologies Corp. NA Bass 3500 was developed by Nembrini Audio SRL based on its modeling techniques. Samson Technologies Corp. has not endorsed nor sponsored the NA Bass 3500 in any manner, nor licensed any intellectual property for use in this product.

EverSpace is an algorithmic reverb designed for creating enormous spaces, evolving ambience and richly modulated echoes. Built upon the CloudSeed engine by Ghost Note Audio, its architecture draws inspiration from the algorithmic studio reverbs of the 1980s, where networks of delays and diffusion were used to create spaces that extended far beyond the limits of the physical world. Rather than attempting to recreate a particular room, hall or vintage hardware unit, EverSpace embraces the more creative possibilities of algorithmic reverb. Dense diffusion, multiple delay stages and extensive modulation allow sounds to bloom into vast, constantly moving environments — from spacious reflections and drifting echoes to seemingly endless atmospheric tails. At more extreme settings, EverSpace becomes much more than a conventional reverb. Simple sounds can be transformed into thick evolving pads, shimmering textures and expansive ambient soundscapes, with subtle variations within the reverb network ensuring that the resulting space remains alive and in motion. EverSpace can be used as a traditional send or insert effect, but it is at its best when treated as a creative sound-design tool where the reverb itself becomes part of the sound. Features ○ CloudSeed algorithmic reverb engine — a sophisticated multi-stage architecture inspired by classic algorithmic studio reverbs. ○ Early reflection and diffusion network — control density, delay, modulation and feedback to shape the initial character of the space. ○ Extensive late-reverb section — create everything from diffuse ambience to enormous, slowly evolving reverb tails. ○ Deep modulation — independently shape the movement of diffusion and delay stages for lush, animated spaces. ○ Multi-tap delay stage — adds rhythmic reflections, echoes and additional complexity before the main reverb network. ○ Integrated equalisation — low and high frequency shaping plus filtering to sculpt the colour and decay of the reverb. ○ Seed controls — regenerate the internal delay and diffusion structures to produce different variations from the same settings. ○ Interpolation modes — alter the behaviour and character of the internal delay network. ○ Real-time visualisation — waveform and frequency displays provide visual feedback as sounds enter and evolve through EverSpace.