Chordyne vs KAGARIBI

The moment it finally clicks. There is a song in your head. Between you and it: learning chords, drilling scales, getting your fingers to obey. By the time you could play it, the idea is long gone. Chordyne turns that around. Pick a chord with your left hand. Play with your right. Everything you touch fits. There are no wrong notes, because none of them are on the surface. Ten seconds in, you sound like someone who has been doing this for years. YOU PLAY, THE BAND FOLLOWS Bass, drums and arpeggios lock onto the chord under your finger. You change it, they come with you, in time, with nothing to set up first. One finger turns into a whole arrangement. YOUR IDEA SURVIVES THE RIDE HOME The best hook shows up on the bus, on the sofa, at half past one in the morning. Record a loop, let it run, stack the next part on top. Four song sections you jump between while you play. What was humming a minute ago is a track now. YOU START HEARING WHY MUSIC WORKS Under every pad sits the role that chord plays in the key. You never have to read it. But one day you notice it anyway, and suddenly you know why that one change in the chorus hits so hard. The borrowed chords are right there for the moment you want to catch people off guard. ONE TAP, A COMPLETELY DIFFERENT MOOD Warm eighties synths. Jazz voicings where every chord sounds like a bar at midnight. A Persian set with notes a piano does not even have. You pick a feeling, and the rest falls in behind it. ALWAYS WITHIN REACH On the iPhone on your commute. On the iPad when you mean business. On the Apple Watch for the melody that arrives while your phone is in your pocket. BUILT AROUND YOUR HANDS Keys you still hit when the bus brakes. Nothing flashes, nothing nags, nothing wants an account from you. Open it, press a chord, go. Whether you have played for thirty years or never held an instrument: after the first minute you will not want to put it down. Made in Germany by Akustikrausch.

Play a sound. Shape it. Understand why it sounds that way. KAGARIBI is a free synthesizer for iPhone and iPad with no ads, tracking, account, or network connection required. Play it standalone or load it as an AUv3 instrument. CREATE YOUR SOUND • Two oscillators with analog waveforms and six wavetable families • Up to seven-voice unison, FM, ring modulation, and hard sync • Six filter types, three envelopes, two LFOs, and an eight-slot modulation matrix • Drive, phaser, chorus, delay, reverb, compressor, and limiter • Arpeggiator and four performance macros UNDERSTAND IT — SOUND ANATOMY Sound Anatomy reads the patch you are playing and explains why it sounds the way it does. Connect what you hear to unison, filters, envelopes, LFOs, effects, and more—without leaving the instrument. PLAY AND PRODUCE • 30 factory presets • Multitouch keyboard, Hold, and Arpeggiator • MPE and MIDI 2.0, plus USB and Bluetooth MIDI input • AUv3 host automation for 95 parameters • One preset library shared between the app and AUv3 • A/B comparison, search, favorites, and a recoverable trash • Offline 48 kHz / 24-bit WAV export BEYOND 12-TET Explore 16 included tunings—from just intonation and Pythagorean to Japanese scales, 19/24/31-EDO, and Bohlen–Pierce. Import Scala .scl and .kbm files and set reference pitch from A=415 to 466 Hz. READY FOR LIVE PLAY Live Safe watches real-time processing headroom and adjusts the voice limit when needed to reduce the risk of audio dropouts. Choose Studio or Offline HQ when the session calls for more detail. Your data stays on your device. KAGARIBI includes no third-party ad SDKs, tracking, or network transmission.