irio pro vs AD

irio pro is a complete guitar rig / modular effects rig for iPhone, iPad and Apple Silicon Mac, built around a high-end NAM player. Add amps, cabinets, pedals and effects, connect them in any order, and play it all live from the perform page. It is easy to start with and as deep as you need it to be. It runs on its own or as an AUv3 plugin in your DAW, and it works just as well for bass, synths, vocals or any other audio. GUITAR / AMP - NAM (Neural Amp Modeler) player: A2, standard and nano models, one-tap input calibration to your interface, phase switch, dual mono - Cab section with IR loading, noise gate, 3-band EQ, high and low cut - Dual-cab IR blender with alignment scope - Drives and fuzzes - rosa: audio to MIDI converter - Chromatic tuner EFFECTS - 8 delays and 6 reverbs, among them a spring reverb with one to four springs and two classic digital reverbs of the 1980s in one module - Convolution for delays, reverbs and cabs - Chorus, flanger, pitch vibrato, photocell vibe, wah, ring modulator - Pitch shifting - Compressors - Noise gate - Parametric EQ with live analyzer - 8-voice synth - Analog guitar synthesizer after a classic 1980 unit, played from a normal guitar cable ROUTING / ENGINE - Free routing, any order - Multi-channel in and out - Instances limited only by CPU - Live metering on every connection - Patch-wide tempo - Hosts other AUv3 effects - Hosts AUv3 instruments - Block cards, 40+ DSP blocks - Engine blocks as modules on the main canvas - Folders: part of the rig in a card with a canvas, ports, shortcuts and memories of its own - Linked modules: modules of one kind that share every setting, with one badge colour per group - Any one-in one-out module can run as dual mono: a second pair of pins, one set of controls MODULATION - Three modifier types: LFO, envelope follower, hand-drawn LFO - Route a modifier to almost any control - One modifier to many targets, each with its own range - LFO rates and delay times lock to the tempo PERFORM - 8 scenes per preset - Perform page with multiple pad banks - Pads trigger presets, scenes, module memories, stomps, module switches (Stop, Freeze, Kill Dry), A/B, tap tempo, looper and player transport - Pads are momentary or latching, groupable, in 16 colors - Multi-pads: one pad controls several targets - XY pads - 4 assignable knobs - Shortcuts: switches and knobs assignable to any control - MIDI learn on every control - Host automation in AUv3 (AUTO slots) - Saveable perform layouts TOOLS - 4-track looper - Take recorder - Audio file player - Metronome with speed trainer - Whole-system backup - Mirror: a second iPhone or iPad shows and controls the device on your interface, canvas and perform page alike - Share a whole setup between your devices over Wi-Fi - Sync: both devices get every preset, memory and file either one has - Dark or light appearance Free version, no time limit: NAM player, morph drive, gyre mod, irio delay, irio verb, 3-band EQ, noise gate, audio player, metronome, global tempo. Free 5-day trial of everything, once per Apple ID, started when you choose. Pro Complete unlocks all modules. One purchase, no subscription, at any time. More at iriopro.com

We rebuilt the legendary micro composer of 1983, then gave it everything the original owners wished for: eight voices, MPE, a sequencer worthy of the name, and a couple of new dirty tricks. The voice is the one you know: a single fat oscillator with sawtooth and pulse (manual, LFO, or envelope PWM), a three-mode sub oscillator, and a noise source, mixed and driven into a classic four-pole lowpass filter. One snappy ADSR, switchable env/gate VCA, and an LFO with triangle, square, stepped random, and noise shapes, complete with onset delay, tempo sync, and retrigger. Portamento with the proper on/auto/off modes, and gate, gate+trig, and LFO trigger modes, exactly like the hardware. And the a sequencer: eight patterns of up to 64 steps, drawn right on the panel, with accent, slide, and octave per step, follow actions and repeats, swing, and tools to randomize in a key and scale, mutate, copy, and rotate. Play a pattern from a held key, transpose it from the keyboard, lock it while you browse presets, and run it from its own clock, the host transport, or an Ableton Link session in the standalone. Sequences save with your presets. • Eight-voice polyphony, or the original mono behavior with the flip of a switch • MPE support with per-note pitch bend and pressure, four aftertouch destinations (VCO mod, VCF mod, filter freq, LFO rate), and adjustable pressure smoothing • MTS-ESP microtonal tuning, retuned continuously while notes sound • SPREAD for stereo voice panning, and AGE, which drifts each voice like forty-year-old components • A full drive section: pre-filter saturation, filter drive, post-VCA distortion, and a tilt EQ • Velocity to filter and amp • A chicklet keyboard with latch and octave shift, playable right on the panel • Full preset manager with favorites and a factory bank • Five faceplate colors, including one for console cowboys • AUv3 and standalone, with an interface that fills whatever window your host hands it AD-202 works everywhere iOS makes noise: AUM, apeMatrix, Logic Pro, GarageBand, Cubasis, and any other AUv3 host, plus a standalone app with its own audio and MIDI settings, Ableton Link, and background audio. No subscriptions. No accounts. No nonsense. Buy it once, own it forever.