Bliss AUv3 Sampler vs REVE Model 1

Bliss brings desktop-class sampling to iOS. The same desktop engine now in your hands, on stage, on the couch, anywhere. Load a sample, play an instrument. Bliss turns any sound into a rich, expressive, playable synth with a workflow built for speed and a sound built to impress. — HOST & RESAMPLE ANY AUv3 — Load any AUv3 instrument right inside Bliss and capture it into your own multi-zone instrument. Auto-sample across the keyboard with velocity layers, then play it back with zero CPU overhead — even offline. Export the result as standard SFZ or Bliss ZBP, ready to reuse anywhere. Turn any synth on your iPad into a lightweight, playable sampled instrument. — A REAL SAMPLER ENGINE — • Up to 64 voices of polyphony • Pristine SINC 128 interpolation (512-point mode for mastering-grade playback) • Mono, poly, legato with glide, and 4-voice unison with detune • NEON-optimized, native Apple Silicon performance — DUAL FILTERS — • Two 24 dB/oct filters: lowpass, highpass, bandpass, notch, peaking • Zipper-free cutoff, resonance and drive • Velocity and keyboard tracking — DEEP MODULATION — • Independent amp, mod, filter and LFO envelopes • Two syncable LFOs with configurable phase • Parameter morphing for evolving, living sounds • 8 assignable macro knobs — automatable from your DAW — FULL MPE EXPRESSION — Per-note pitch bend, timbre and pressure. Auto-configures with ROLI Seaboard, LinnStrument and Expressive E Osmose. — 7 STUDIO EFFECTS — Multiband limiter, soft clipper, stereo rotation, chorus, delay and reverb with 8x oversampling — plus per-slot bit reducer, phaser and distortion. Per-zone sends. — 1 GB FACTORY LIBRARY — Start making music instantly with 100+ ready-to-play instruments — keys, pads, basses, guitars, strings, winds, percussion and more. A free 1 GB download, available in-app. — IMPORT EVERYTHING — Bliss speaks every sampler dialect: SFZ, SoundFont2, EXS, Kontakt NKI (1–4), Akai S1000/S3000/S5000-6000, XPM Keygroups, Renoise and CUE sheets. Audio in WAV, AIFF, FLAC, OGG and MP3. — BUILT-IN EDITING — • Full wave editor with undo, 1:1 zoom, stereo/independent channel selections • Loop modes: forward, bidirectional, backward, crossfade, trim • Cut, paste, mix paste, fades, normalize • Visual key mapper for zones, velocity ranges and root keys • Tempo and transient auto-slicing — AUv3 + STANDALONE — Run Bliss standalone or as an Audio Unit v3 inside AUM, GarageBand, Cubasis, Logic and any AUv3 host. Fully automatable, resizable, and ready for your rig.

The REVE Model 1 is an ambient drone soundscape machine, built around a synth and echo machine that turns a single note into a slowly evolving world. Play a single note or chord, arpegiatte it, and wait as a simple phrase unfolds into a dark cinematic drone, a meditative texture for sound bathing, or something stranger you didn't plan on. Push the echo repeats toward infinite, and let it rip. Want to hear REVE Model 1 before purchasing? Try the lite version at http://revemodel1.davebokil.com/ FULL ANALOG-STYLE SYNTH ENGINE VCO — Range switch (16', 8', 4', 2'), Tune, Pulse Width, and a Manual/Envelope PWM source switch. Source Mixer — independent levels for Saw, Pulse, Sub, and Noise, plus a switchable sub-oscillator mode (−1 octave square, −2 octave square, −2 octave pulse). Filter — 20Hz–20kHz cutoff and Resonance, Envelope amount, Key Follow, and a dedicated Filter LFO. Envelope + VCA — full ADSR, with a VCA mode switch for Envelope or Gate. LFO — Triangle, Square, Sample & Hold, or Noise waveforms, with Rate, Depth, and a to-pitch routing toggle. Arpeggiator — Off/Up/Down/Up-Down modes, 1–4 octave range, adjustable rate, and Hold (latch). THE ECHO — THE HEART OF THE INSTRUMENT Delay/looping built to be played, not just heard: Repeat (feedback) that goes all the way to infinite sustain, delay time up to 4 seconds, and independent volume control. Push it toward infinite and a phrase stops being a phrase: it becomes a drone, a drift, a texture that keeps changing while your hands are free to reshape it. An output limiter with Threshold, Ceiling, and a gain-reduction meter — keeps things from clipping as the repeats stack up, no matter how far into the red you push it. PLAY IT LIKE AN INSTRUMENT A touch keyboard with real glissando — slide across keys instead of just tapping them — adjustable visible octave range and key span, and a Hold/latch mode so a note can ring on its own while both hands stay on the knobs. A pitch bend lever has independent VCO/VCF sensitivity, and portamento (glide) time is adjustable. PRIVATE BY DESIGN No ads, no analytics, no network access, no accounts, no in-app purchases. Everything happens on your phone, nowhere else. COMING SOON MIDI and AUv3 Support