Latch Tuner vs M

Know the note. Get the numbers. Back to the beat. Ordinary tuners are built for long, sustained notes. Play a one-shot through one and the needle jumps around during the attack, then goes blank before you can read it. Latch Tuner is built for how producers actually work: it skips the attack, measures the body of the sound, and holds the answer on screen after the sample has ended. How it works. You chopped a bass note from an old record and it's fighting your track. Insert Latch Tuner on the channel, trigger the pad once, and it reads: E3 −26.5 ¢ · 324.6 Hz · MIDI 64 Set TARGET to the note you actually want — say C3 — and it does the conversion for you: SEMI −4 · FINE +27 Those are the two numbers your sampler's pitch controls take. Type them in, retrigger, done. No looping the sample into a phone tuner, no guessing against a piano. Two modes. • LATCH — for one-shots, chops, plucks, vocal stabs and 808s. Transient-aware capture holds the reading until you clear it. Capture history keeps your last few results on screen, so you can work through a whole kit without writing anything down. • LIVE — stop switching apps to tune. A straightforward in-line tuner for guitar, synth and voice, docked in a corner of your session. It tells you when it isn't sure. A gliding 808 or a weak fundamental reads as low confidence rather than a confident wrong answer. A chord reads as its root, flagged rather than asserted. Noise and washed-out chops report no clear pitch, because there isn't one. Tap PLAY to hear a reference tone against the sample and decide with your ears — below ~80 Hz the tone adds an octave-up partial so you can hear it on a device speaker. Speaks sampler. Note name, cents, frequency and MIDI note number, plus the SEMI/FINE correction to your chosen target. Samplers disagree about octave numbers, so the readout shows its convention next to every answer — and a C3/C4 toggle matches it to yours. It can't silently put you an octave off. Adjustable reference pitch (440, 432, 442…). Runs where you work. An AUv3 audio effect — use it in AUM, Koala, GarageBand, or any other AUv3 host. Plus a standalone app that listens through the mic. Audio passes through untouched. One-time purchase. No subscription, no ads, no account. Everything is analyzed on-device; nothing is recorded or uploaded.

That 8-bit sound — with the real mechanism behind it. M-NES is a chiptune workstation that recreates the RP2A03 APU, the sound chip of the classic 8-bit game console, at the register level. Two pulse channels, a triangle, a noise channel, and 1-bit DPCM samples: the five channels the hardware actually has, laid out on a piano roll. You are not composing with presets that sound "close enough" — you are driving the chip itself. FIVE-CHANNEL APU SOUND ENGINE • Two pulse waves with four duty cycles, hardware sweep, and envelopes • Triangle with the linear counter — that round, fat bass • Noise with 16 periods plus the 93-step short mode; pick the period by note pitch • DMC channel playing 1-bit DPCM samples • Switchable NTSC, PAL, and Dendy clocks and frame rates • 48 kHz mono output, just like the hardware A PIANO ROLL THAT FEELS RIGHT • Tap to write, drag to move, pull the edge to resize • 8th, 16th, and 32nd quantize • Note velocity maps straight to the APU volume registers • Per-track mute and solo, undo and redo, autosave BUILT-IN NSF PLAYER • Open .nsf or .nsfe and the built-in 6502 CPU and APU emulation play the original • Multi-song files show a track list with titles and durations • Single, repeat, and play-all modes TURN A SONG INTO EDITABLE NOTES • Re-emulates the selected song and tracks every APU register write, frame by frame • Recovers pitch, timing, velocity, duty cycles, and noise periods into five editable tracks • Use it to study, remix, or continue a track — transcribed songs play back immediately DPCM SAMPLES • Import raw 1-bit .dmc data • Convert WAV, AIFF, and CAF to hardware-spec 1-bit DPCM automatically • Place drums and voice clips with a waveform preview HARDWARE-ACCURATE EXPORT • NSF and NSFe export with a built-in 6502 driver and APU register stream • 48 kHz mono WAV master • .nesseq project files containing all editing data PRIVACY • No account, no ads, no tracking • Composing, playback, and export all happen on your device, fully offline MADE FOR • Chiptune musicians who want the real sound, not an imitation • Game developers preparing hardware-spec music and sound effects • Anyone who wants to learn how 8-bit sound actually works — duty cycles, DPCM, noise periods — hands on --- M-NES is an independent product. It is not affiliated with, sponsored by, or endorsed by any video game console manufacturer. NSF and NSFe are community file formats used to preserve 8-bit game music. NSF files may contain third-party copyrighted material; import and export only within the rights you hold.