Fexer vs Y2K Digicam

Fexer is a professional manual camera for iPhone — the controls of a dedicated camera, real-time color grading, and cinematic shooting modes, all in your pocket. MANUAL CONTROLS • ISO (25–6400), shutter speed (1/8000–30s), and manual focus, each with an auto toggle • White balance in Kelvin (3200–7500K) plus tint, with 7 presets • AE lock, four metering modes, and an EV compensation strip SHOOTING MODES • Photo — AEB bracketing, RAW / RAW+JPEG, LUT baked at capture • Video — 1080p/4K in HEVC, H.264, or ProRes, with GPS metadata • Long Exposure — multi-frame blending up to 60 frames • Burst, Self-Timer, and Timelapse • Anamorphic — 2x horizontal desqueeze with a 2.39:1 crop guide • Night and Portrait modes REAL-TIME COLOR GRADING 21 film-inspired looks across Film, Genre, and Mood categories — applied live in the viewfinder and baked into every capture. Includes classic film emulations like Portra 400, Tri-X, and Velvia alongside cinematic and moody grades. VIEWFINDER TOOLS Grid overlays, RGB/Luma/Parade histogram, waveform monitor, vectorscope, focus peaking, zebra stripes, false color, and an electronic level — the same tools you'd expect from a dedicated cinema camera, live in your viewfinder. NON-DESTRUCTIVE EDITING Adjust exposure, contrast, shadows, highlights, saturation, vibrance, warmth, sharpness, vignette, crop, and rotation after the fact — your original capture is never touched. Fexer collects no data, has no ads, and makes no network requests. Everything happens on your device. Requires a physical iPhone — the camera does not work in the Simulator.

The 2000s digital camera, rebuilt for your phone. Blown flash, CCD color, a date stamp burned into the corner — the look of a point-and-shoot from 2003, live in the viewfinder before you press the shutter. No editing step. No filter picker afterwards. You pick a camera and you shoot. 27 CAMERAS, ONE TAP • Y2K digicam — CCD sensors, hard flash, early-2000s compact color • 35mm film — grain, halation, gold and slide stocks, half-frame doubles • Toy — disposable, fisheye, cross-process, instant square prints • Tape & movie — VHS warp, Super 8 flicker, 16mm, camcorder timestamps WHY IT LOOKS REAL Each camera is a whole pipeline, not one filter dropped on top. Color response is sampled per stock. Grain sits under the image the way emulsion does, not over it like a texture. Highlights bloom into halation, the lens vignettes and bends, chromatic aberration creeps in at the edges, and light leaks land differently on every frame — so no two shots wear the same one. A DARKROOM, NOT A FILTER HISTORY Your untouched negative is stored next to the developed frame. Change your mind next week and re-develop the same shot on a different camera — full quality, nothing overwritten, as many times as you like. The roll is yours and it stays reachable. PHOTO AND VIDEO Video is filtered while it records, audio and all, not processed afterwards. Tape distortion, dropped frames and camcorder date stamps are baked into the take. ALSO IN THE BOX • Import from your photo library and develop old shots on any camera • Pinch to zoom, tap to focus, flash and torch, front camera • Half frame shoots two exposures to one frame, like the real thing • Save to Photos at full resolution • Works entirely offline. No account, no sign-up, no ads, no data collected PRICE Seven days of everything, free — every camera, photo and video, no card up front. After the trial one payment of $9.99 unlocks the whole library forever. No subscription, no per-camera purchases, no ads, ever. There is no free tier: when the trial ends the camera stops until you unlock it. Photos you already took stay in your roll either way. Terms of use: https://www.apple.com/legal/internet-services/itunes/dev/stdeula/