Strange Loop vs MicroLag

Strange Loop writes its own music. Three coupled Lorenz attractors drive the piece — one proposes pitch, one shapes rhythm, one wanders the emotional plane. A Markov policy then decides what actually plays, learning from its own output and rewarding intervals that sound consonant. Chaos proposes, the policy disposes. Slide BLEND to choose who wins. Nothing is pre-recorded and nothing loops. Every run is new. PAINT ON THE MATHS Both scopes are paintable. Draw on the attractor and the trajectory bends toward what you drew and lingers there, pulling the melody into those pitches. Draw on the mood pad and the feeling follows your strokes — brightening the harmony, lifting the register, pushing the tempo. Set how hard the ink leans, how big the brush is, and how long it lasts before it fades. WHAT YOU GET • 26 scales — major and minor modes, pentatonics, blues, whole tone, harmonic and melodic minor, altered, both octatonics, and folk scales from Japan, China, Egypt, Spain, Arabia and Hungary • 7 accompaniment styles — chaos grooves, jazz comping with walking bass, stride piano, Alberti bass, classical, arpeggios, ambient rolls • A sampled grand piano plus synthesised voices: soft piano, glass, strings, FM bell, AM organ, pluck, fat saw and more • 6 moods on a valence/arousal plane, from serene to tense, driving chord quality, register, tempo and note length • Live scopes — the attractors, the note-probability distribution the engine is sampling from, and the mood point, all drawn in real time • Deep control: key, scale, tempo, chaos rho, rhythm spread, grace notes, chord-tone pull, softmax temperature, per-track mixer • Record a take and export it as a standard MIDI file to the Files app — melody, chords and bass on separate tracks TWO AUDIO UNITS Strange Loop ships as an instrument AUv3 and as a MIDI processor AUv3, so it can either play its own sounds or sequence any other instrument in your host. Melody, chords and bass each send on their own MIDI channel, so one instance can drive three different instruments. Both Audio Units follow your host's transport and tempo — hit play in AUM, GarageBand, Logic, Cubasis or Zenbeats and it locks to the grid. One install registers both. CREDITS Sampled piano: Salamander Grand Piano by Alexander Holm (CC BY 3.0).

MicroLag is a delay audio processor that allows you to set the delay time in an exact number of samples. While there are already quite a few sample delay plugins available, I couldn’t find one that quite fit my needs, so I made one. MicroLag allows you to set relatively long delay times, e.g. up to around 1 second at 48KHz sampling rate. You can also smoothly toggle between the delayed and bypassed / dry signal. Finally, the actual delay time in milliseconds (depending on the host sample rate) is displayed. That’s basically it! MicroLag is an AUv3 effects plugin that can run standalone, or in any AUv3 compatible host such as Logic Pro, GarageBand or AUM. MicroLag currently runs on iPadOS / iOS (iPad & iPhone) and macOS (Intel & Silicon) and is available as a Universal Purchase from the Apple App Store. If you’re planning on using MicroLag on Mac / desktop, please ensure that your favourite DAW / host supports AUv3 (not just AU).