TraceSonic vs 4Comp

TraceSonic turns pictures into sound. Paint directly on a spectral canvas and hear each mark become part of a playable additive instrument: horizontal position is time, height is pitch, and brightness controls the level of each partial. Start with an empty canvas and draw with solid, soft, textured, tapered, or harmonic brushes. Fill the canvas with generated patterns, or import an image and turn its brightness into sound. Pitch snapping keeps freehand marks on your selected scale. Shape your sound with: • 128 additive oscillators spanning four octaves • Seven classic waveforms and 12 built-in wavetables • Forward, reverse, and ping-pong scanning • Adjustable pass length and tempo-synchronized loops in compatible Audio Unit hosts • MIDI note input for retuning the complete canvas • More than 60 factory patches, including tones, sequences, gestures, textures, drones, and sound effects • User patches that save the canvas and its synthesis settings • Solid, harmonic, soft, textured, and tapered brush families • Undo, redo, erasing, pitch snapping, and scale selection Use TraceSonic as a standalone instrument on iPhone, iPad, and Mac, or load its AUv3 instrument in a compatible host.

Four analog-style compressors in one AUv3 plugin: FET, VCA, Optical and Vari-Mu. Each is its own DSP engine with its own sound, and the whole interface — face, knobs, meters — changes to match the one you pick. New in 1.1: tap ? for a quick start and a guide to each model, and watch the live transfer curve on VCA. FET Fast gain reduction from a feedback detector, with an all-buttons mode. Hi-hats, drum buses, spiky guitars. Ice-blue face. VCA Bus glue with program-dependent AUTO release. Tames transients and spikes without grabbing. Crimson face. Optical Smooth, level-dependent release from a modelled photocell — the cell's light memory. Vocals, brass, strings. Brushed-steel face, ivory meter. Vari-Mu A ratio that rises with level, plus harmonic colour that thickens thin tracks. Mix bus and mastering. Brass face. Four separate DSP paths Each model is its own compressor engine rather than a preset over one circuit: feedback FET, two-stage VCA, photocell release, rising-ratio tube. Switch faceplates mid-session and the plugin animates to the new model's look. Complement it Stereo link (Linked or Dual Mono), sidechain high-pass, dry/wet mix, input/output and auto make-up gain, a gain-reduction meter styled for each model and 17 presets. Real-time-safe DSP, 0-sample latency by default. Works in GarageBand, AUM, Cubasis, Loopy Pro and other AUv3 hosts on iPhone and iPad.