Pixelsynth vs 2099 Techno

Make a sound in seconds—and shape it while it plays. Pixelsynth turns taps, drags, melodies, and chords into a colorful instrument you can understand by watching it. Everything you play lives on one screen. Touch a note and start exploring. FROM THE DEVELOPER OF PIXELBOOP Pixelsynth is a new visual instrument from the maker of Pixelboop. Both apps share a love of playful grids, immediate feedback, and musical ideas that begin with one touch. PLAY FIRST. LEARN BY WATCHING. Sixteen pads invite you to find a melody, hold a chord, or strum across the screen. Notes light up as you play, and every sound control moves in front of you. You can see what each gesture is doing while you hear the result. SHAPE THE SOUND LIVE • Switch waveforms to change the character of your sound. • Sweep the filter from bright and open to soft and focused. • Shape attack, decay, sustain, and release for crisp plucks, swelling notes, and long tails. • Add motion with LFO, repeating echoes with delay, and depth with reverb. Each control is a colorful tank. Touch higher or lower inside it to set the value directly. Values in the upper half stay where you leave them; notes in the lower half drain away after you lift. It feels immediate because the picture and the sound follow the same gesture. MADE TO BE SEEN Created by a Deaf musician, Pixelsynth treats visual feedback as part of the instrument. The entire musical surface is drawn on a 40 by 24 pixel grid—just 960 pixels—so every control stays visible and every change has a visual response. PLAY IT YOUR WAY Open Pixelsynth as a standalone instrument on iPhone or iPad, or load the included AUv3 instrument in a compatible iOS music host. Your host can send MIDI notes and save the instrument state with your project. A compatible host is available separately. FREE TO EXPLORE No account. No in-app purchases. No third-party ads. The instrument works offline. The standalone app may occasionally show developer news or an introduction to Pixelboop, which you can close immediately. Pixelsynth does not track you or collect the music you play. Open it. Touch a note. See where it takes you.

2099 Techno writes complete tracks. Press generate and you get 76 bars with an intro, builds, two main sections, a breakdown and an outro, played by a virtual-analog engine and a 909-style drum machine. Bass, acid, stabs, pad, a lead line and the kit, through a dub delay, chorus and reverb. Nothing is sampled. Every note is made on the fly and no two tracks come out the same. The music comes from chaos maths. Three Lorenz attractors shape the melody, the rhythm and the mood. Three separate logistic maps run underneath the drums, the bass and the acid line, so they wander independently: turn the logistic control down and the hats and perc repeat every bar, turn it up and they never do. Chaos on its own is noise, so a small model filters it. It gets rewarded for consonant intervals and rehearses two hundred notes over the changes before it writes anything. The CHAOS / TASTE slider decides how much say each one gets. Eight styles, and they are properly different. Detroit rolls an off-beat bass under syncopated stabs. Dub Techno holds one chord for four bars and lets the delay do the work. Acid runs a 303 line with slides and accents. Hard pushes past 140 with a Reese bass and the drive up. Minimal takes most of it away. Every track is built from its seed. Write the seed down and you can have that exact track again, note for note, whenever you want it. You can play over it, too. The pads are the notes of the track's key rather than a piano keyboard, so nothing you touch is wrong, and the sixteen-step lane runs in time with the track and follows your host. Both play any part you like: bass, acid, stabs, pad or lead, through that part's sound and out on its MIDI channel. Choose which sections the lane plays in - just the breakdown, say - and preview it on its own without starting the track. Turn on RADIO and it keeps playing, picking a new key, mode, style, sound kit and tempo for each track. You also get: • 8 styles, 6 dark modes, 12 keys, tempo and density • Two-oscillator analog voice with sub, noise, resonant filter and glide • 22 presets and 9 sound kits, from Warehouse to Game Boy, plus random patch • Six-part mixer, dub delay, chorus, plate reverb and a global sweep filter • A PLAY panel: pads in the track's own key, and a 16-step lane with accent and slide, running in time with the track and only in the sections you pick • MIDI in, so your keyboard plays whichever part you have selected • MIDI export: six tracks, one per part • Live spectrum, waveform and a view of the chaos engine at work Two Audio Units, an instrument and a MIDI processor. Each part sends on its own MIDI channel, drums on 10, so one instance can drive six instruments. The MIDI version passes your keyboard through instead of swallowing it. Both follow your host's tempo and transport. One install registers both. The app is free and nothing in it is held back. Using the Audio Units inside other apps is a one-time purchase, and each AUv3 session plays for two minutes first so you can try them properly.