Scouter Synth vs EffectDeck

ScouterSynth is a music tracker built like a handheld console. Eight tracks, a D-pad, two buttons, and no menus — every operation is a chord you can play with your thumbs. WRITE Phrases of sixteen rows, chains of phrases, and a song made of chains. Write a bassline once and place it four times with different transposes; change it later and every one of those places changes with it. Phrases can be shorter than sixteen rows, so six-eight is as easy as four-four. SOUND A synth voice per track — saw, pulse with PWM, triangle and sine, through a resonant filter and an envelope — or a sample, played whole or sliced. Wavetables for the sounds a plain oscillator cannot make. Per-tick tables for automation that runs faster than a row. SAMPLE Import from anywhere on your phone, or record straight into a slot from the microphone. MP3, AAC, M4A, AIFF and WAV are all converted on the way in. Whatever you choose is copied into your project, so a saved song carries its audio with it. MIX Ten lanes on one screen — eight tracks and two send buses — with level, pan, mute and solo, and three effect slots on each: filter, bitcrush and a tempo-synced delay. Watch the desk as a set of numbers or as ten live traces. PLAY A performance pad wires any two parameters to an X and a Y axis and moves every track at once. A grid of twelve pads holds six punch-in effects — an octave down, tape slow, a stutter, a bitcrush, a high pass and a low pass — held rather than latched, so nothing can be left on by accident, and six one-shot samples to fire over the top. SEE A radar sweep that reads the mix by frequency, a scope on the output, and six palettes to put it all in. INTEGRATE MIDI in and out with clock. A Bluetooth game controller, mapped button by button to whatever pad you own. Export the whole arrangement to a WAV. Songs, samples and exports all sit in the Files app where you can reach them. No accounts. No subscriptions. No network. The manual is inside the app — press SELECT and B on any screen.

EffectDeck puts an effect chain on the audio other apps are already playing, and the effects you can put in it are not limited to the ones it ships with. Pick EffectDeck as the output in Control Center, then open the app and build a chain. No virtual cable, no routing to set up, nothing to configure first. Start from over 100 of EffeTune's effects, running unmodified: the same DSP code EffeTune runs on the desktop and on the web. Add the AUv3 plug-ins already on your device and your own impulse responses. When the effect you want does not exist, write it as a JSFX script, and it goes into the chain like any other effect. WHAT YOU GET - Over 100 built-in effects: EQ, dynamics, saturation, modulation, reverb, delay, spatial, lo-fi and restoration - JSFX effects: import a script from Files, a link or the clipboard. Each gets its own sliders and, if it draws, its own display - AUv3 effect plug-ins installed on your iPhone or iPad - Convolution reverb with your own impulse responses, and AutoEQ profiles for the 15-band EQ - Analyzers you can drop into the chain: spectrum, spectrogram, oscilloscope, level and stereo meters - Presets from EffeTune, plus your own presets in folders - Share a chain or a JSFX script as a link, and open the links others send you - A two-column layout on iPad - Oversampling at 48, 96 or 192 kHz, with latency and CPU shown while it runs HOW IT WORKS iOS 27 lets an app present itself as an audio output device. EffectDeck appears in Control Center next to your speaker and headphones. Choose it, and the audio from the player you are using is handed over, processed, and played back on the same device. Apps that never report themselves as playing, most games among them, keep going straight to the speaker. The audio never leaves the device, and nothing is collected. If you are signed in to iCloud, your presets and chain follow you to your other devices. The effects are EffeTune by Yoshiyuki Kobayashi (MIT). This app is a separate project and is not affiliated with EffeTune. The name was changed at the upstream author's request.