Parallaxly vs ActionCheese

Turn the frames you already have into a wigglegram — an aligned, looping GIF or video where your subject stays still and the world around it rocks in 3D. Parallaxly starts from frames, not from the camera. Import a scan from a multi-lens film camera (the frames side by side on one strip), or 2 to 6 photos taken a small step apart. The app finds the frames, lines them up on your subject and plays the loop right away. • SPLITS YOUR SCAN — one scan with 2, 3 or 4 frames side by side is split automatically at the gaps between frames. Adjust any split line, or change the number of frames. • ALIGNS ON YOUR SUBJECT — tap the point that should stay still (or let the app pick one). Every frame is registered on that point to a fraction of a pixel, so the subject holds steady while the background and foreground move. Edges that aren't in every frame are cropped away, so the loop never shows an empty border. • EVENS OUT EXPOSURE — film frames scanned one by one differ in brightness and color. Match exposure brings every frame to the same look, so the loop doesn't flicker. • STRAIGHTENS HAND-HELD SHOTS — an optional correction for a small tilt between phone photos. • YOUR LOOP, YOUR WAY — back and forth (1-2-3-2-1) or a straight loop, speed from 40 to 400 ms per frame, and crops for posts and stories: original, 1:1, 4:5 and 9:16. Reorder or remove frames at any time. • GIF OR MP4 — a GIF that loops forever, or an H.264 video that repeats the loop for about 6 to 10 seconds, so it plays smoothly where videos don't loop on their own. Save to Photos or share. • PRIVATE — everything happens on your device. No account, no upload. Works with scans from multi-lens film cameras such as the Nishika N8000, Nimslo 3D and Reto3D, from any stereo pair, and with photos from your phone: take 2 or 3 shots of a subject, stepping a few centimeters sideways between them. What it doesn't do: it doesn't invent depth. You need at least two frames taken from slightly different positions; a single photo can't become a wigglegram here. Importing, aligning and the animated preview cost nothing. A one-time purchase unlocks exporting the GIF and MP4 files. Questions: overlapmarr@gmail.com

Turn your iPhones into a synced multicam crew. Film up to four angles at full quality, watch and switch them live, and finish the episode before you pack up. It all works phone to phone: no Wi-Fi network, no signal, no extra screen and no laptop needed. SAY "ACTION". EVERY ANGLE ROLLS. • Up to four iPhones as cameras, each recording at full quality on its own • Run the shoot from a spare iPhone, an iPad, or the camera you're filming with: tap Lead and it drives the others • Switch live from the lead camera: big numbered on-air buttons at the side of the screen, in thumb reach while you film • Voice commands: "action", "cut", "cheese" and "mark", recognised on the device, offline • Shared timecode on every camera, so angles line up by themselves • Apple Watch: start, stop and mark the shoot from your wrist, with the cameras connected and the record time at a glance SWITCH LIVE, EDIT ON THE PHONE • Podcast deck: tap a camera to put it on air, with big buttons and no live pictures to save battery • As soon as a take stops, each camera sends the deck a light 1080p copy, and you see the takes arriving • Listen to every camera's microphone, mixed or one at a time, each with its own volume (off until you turn it on) • Your live switches become the cut: change cameras at any frame, remove parts, trim, undo • Sound from one camera, following the picture, or a mix of all of them • Takes wait in the Editor on the home screen, so you can re-cut them later, even without the cameras nearby; the 1080p copies stay after an export • Export a finished 1080p video to Photos and Files, and share it anywhere PRO CAMERA CONTROL • 4K, up to 240 fps, 23.98, 29.97 and 59.94 fps • SDR, HDR (HLG), Apple Log and Apple Log 2, with built-in Rec.709 monitoring looks • HEVC or ProRes from 422 Proxy to 4444 XQ on supported iPhones • Record straight to a USB-C SSD on iPhone 15 Pro and later • Manual ISO, shutter speed or shutter angle, white balance in Kelvin with tint, manual focus • Focus loupe, focus peaking, zebras, false colour, histogram, waveform and RGB parade, grid and level • Monitoring LUTs, including your own .cube files, without touching the recording • Photos in HEIF, JPEG or ProRAW, 12 or 48 MP, at 4:3, 3:2, 16:9 or 1:1 • Choose each camera's microphone, from the built-in mics to USB-C, Lightning or Bluetooth STRAIGHT INTO YOUR EDITOR • With the free ActionCheese app for Mac, files move to your Mac when you say so, or by USB cable at full speed • Every take arrives named and synced, with timelines for Final Cut Pro, Premiere Pro and DaVinci Resolve, markers and your deck edit included PRIVATE BY DESIGN • No sign-up, no tracking, no data collected. Devices pair with a code you confirm on both screens • An optional Face ID vault keeps captures out of iCloud Photos FREE TO START Remotes, the podcast deck with its editor, and Mac imports are free, and one camera can film 3-minute takes for free. ActionCheese Pro unlocks full-length takes and the lead camera on up to four cameras: $39.99 a year, $6.99 a month, or $99 once. Lend seats to family or crew for up to 14 days at a time. Pro subscriptions renew automatically unless cancelled at least 24 hours before the end of the current period. Manage or cancel them in your Apple Account settings. Terms of Use: https://www.apple.com/legal/internet-services/itunes/dev/stdeula/ Privacy Policy: https://actioncheese.com/privacy.html