Deep House Audio vs M/S Processor 2

Roll the dice to wind it, set its eight sigils, and Deep House plays an endless electronic set: kick, chords, bass and pads, every sound synthesized as the gears turn. Nothing is recorded and nothing is streamed, so it plays fully offline. And like any good mechanism it is exact: the same link plays the same track, anywhere. Its best sounds are in the Featured playlists. A music companion for work, reading or a late drive. No distracting vocals. No agenda. Just vibes. THE DIAL The ring is the machine's face, an old brass instrument for reading music the way sailors read the sky: the lanes of the track turning past the needle, the sections ahead, and eight sigils in orbit that set its springs: tempo, space, groove, harmony, texture and more. Roll the dice for a new track, or rearrange the sigils to cast your own. You rarely know how it will turn out: it's more often a journey than a destination. ONE LINK, ONE TRACK Every track has a link, and it plays the same anywhere, in the app or in any browser at deephouse.audio. THE WORKS Open the machine view to see the gears move: every voice, bus and meter of the track as it plays, like a studio desk. ON YOUR DEVICES • Plays in the background, with lock screen and Control Center controls • Pauses for calls and picks up after • AirPlay to your speakers and Apple TV • On the Mac: a floating mini player, menus and full screen Fully offline. No account. No ads. No tracking. No data collected.

Your stereo image, in two parts. M/S Processor 2 splits a stereo signal into its mid (what both sides share) and its side (what sets them apart), lets you turn each up or down, mute it or flip its polarity, and puts them back together. Rebuilt from the ground up, it runs as an Audio Unit (AUv3) inside GarageBand, AUM, Logic Pro and any other host, and on its own with an audio interface. THREE WAYS IN AND OUT • Inline: left and right in, left and right out. Widen a mix, narrow it, or bring a centered voice forward. • Decode: record with a mid/side microphone pair, a cardioid facing the source and a figure-8 across it, and hear it as left and right while you play. • Encode: turn left and right into mid and side for the effects that come after it, and decode them back at the end of the chain. EVERY PART UNDER YOUR HAND • A fader for the mid and one for the side, from −48 to +24 dB, each over its own meter. • Mute and polarity for each, and a link that moves both gains together. • Swap left and right before anything else, and bypass to compare. • Input and output meters named by what they carry, L and R or M and S, with held peaks and clip indicators. • Every control can be automated from your host. • A notice when the input is mono, which leaves the side with nothing to work on. MADE FOR EVERY SCREEN M/S Processor 2 lays itself out for the space it's given: an iPhone upright or sideways, an iPad, iPhone Duo folded or open, and a plugin slot in a host, from GarageBand's compact strip to a whole panel. QUIET BY DEFAULT On its own, the app starts with its output muted, so a microphone never feeds back through the speaker next to it. A LONG STORY Alan Blumlein described mid/side recording in his 1931 stereo patent, and engineers have relied on it ever since. M/S Processor first came to the iPad in 2013; this is its second life. From Monolith DSP. Terms of Use: https://monolith-dsp.com/terms/ Privacy Policy: https://monolith-dsp.com/privacy/