microTERA vs Negative Harmony

Waveshaping Synthesis is a type of distortion synthesis that can create dynamic spectra in a controlled way. In waveshaping, it is possible to change the spectrum with the amplitude of the sound. A simple example of this method is the clipping caused by overdriving an audio amplifier. These simple method creates an astonishing variety of sounds which are very unique and can't be reproduced by any other contemporary synth! microTERA gives you also a method of getting randomly generated sound patches in a way you never experienced before: roll the dice! Every single try gives you a new unique sound patch, really every try, promised… Waveshaping Synthesis • Wavehaper with user programmable shape • Spectral shape specification • Three sine oscillators • Feedback input for noise components • 4 Low frequency oscillators • 4 Envelopes with tempo sync • 64 time/level segments per envelope • Monophonic or polyphonic with 16 voices. • Over 150 factory sounds • Uses programmable sequences with up to 32 steps.  • Can trigger single notes and chords. • Unique randomizer generates Arpeggios with 100% usability. • 32 Arpeggios included, unlimited useer arpeggios possible. • For each step you can program tie, accent, transposition and note order Effects • Chorus • Phaser • Distortion (Tape/Tube/...) • Echo/Delay • Reverb Global • Audiobus compatible (Input slot) with state saving • Support for Ableton Link. • Inter App Audio compatible. • CoreMIDI / Virtual MIDI • Audio recorder with Metronome. • Upload to SoundCloud and File Export. • Audio pasteboard.

Negative Harmony lets you explore one of music theory's most fascinating transformations: reflecting any chord or progression across a tonal axis to produce its harmonic mirror image. TAP ANY CHORD Select a root and quality on the interactive Circle of Fifths. See the original chord and its negative simultaneously, with voice-leading automatically applied. BUILD PROGRESSIONS Add chords to a progression and play them back — originals or negatives — with smooth voice leading between every chord. Common tones are held, not re-attacked. UNDERSTAND THE THEORY Built-in theory section explains the concept from first principles: the axis, the transformation formula, voice leading, and the history from Hugo Riemann to Jacob Collier. 5 SOUNDS Choose from Rhodes, Strings, Choir, Organ, or Synth Pad — the same high-quality soundfont used by professional music apps. MULTILINGUAL Full support for English, Spanish, French, German, Italian, and Portuguese.