GliderVerb vs RRS EQ3

GliderVerb is a “Reverberator with Glissandos” simulating a room gradually changing its shape. It is an expanded version of an algorithm created by James McCartney for his Supercollider 2 programming language. The original algorithm had no user-variable parameters: this device adds a series of parameters to create a wide palette of effects; from evolving reverberations to granular disintegration to smooth resonances. Main Features: - Audiobus and Inter-App Audio support (sender and FX) - Continually Modulated Reverb Algorithm - Pitch Resonator - Ribbon Resonance Player - Pad impulse generator - Built In Stereo Sampler with varispeed - Control Manager LFO for Parameters - Midibus, Virtual Midi and Network: 14 bit NRPN controllers - File Manager, sharing common audio files via iTunes, Dropbox and AudioCopy - Snapshots Presets Morphing Pad - Post Fx Chain: Low-shelf Filter, High-shelf and Compressor New Version! We removed the "annoying voice" and now you can use all the Gliderverb features, even the Pad and the Ribbon. The only limitation is you can't save new presets; but you still can load the old ones you made, using the two arrows you find on the left and right side of the preset name (top side of the main window). With the in-App purchase you can access the Preset Manager, Control Manager and MIDI enable the Pad.

EQ3 AUv3 plug-in — comes as time-limited Demo-version for you to try. It gives you 5 minutes of Free play time. (You can reload the EQ3 AUv3 plug-in as many times as you want, thereby you get the Demo period again and again.) Unlimited version of EQ3 AUv3 plug-in comes as In-App Purchase. In the '80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses. Our emulation of this method is quite similar to the original and improved with additional possibilities of digital technology. Now you can hear it for yourself. There are five broad, overlapping, interacting bands: 10 (Sub), 40, 160, 650 and 2.5 кHz, along with the «rock (airy) band» control, which is an HF boost-only control. Features: • Standalone and AUv3 plug-in; • Precise port of Rack Extensions plug-in; • Modeled vintage EQ; • Boost only shelf at 2.5 kHz, 5 kHz, 10 kHz, 20 kHz and 40 kHz; • 2.5 kHz fixed boost and cut shelf; • 650 Hz fixed boost and cut bell; • 160 Hz fixed boost and cut bell; • 40 Hz fixed boost and cut bell; • SUB (10 Hz) fixed boost and cut bell; • Stereo (Mono), Mid or Side EQ modes; • Undo/Redo; • A/B comparison; • 2x/4x/8x Upsampling; • Macro controllers; • Built-in Gain Match; • Scalable GUI. When using the EQ3, remember that the bands are broad, approximately 2 octaves. They overlap one another. For example: when boosting the 10 kHz «rock band» to a +6 position on the knob, to keep the response flat through in 2.5 kHz region you should rotate the 2.5 kHz coarse knob to about a -1 position. The amount you back off the 2.5 kHz control should, of course, be set by ear. Following this kind of procedure will accomplish a more airy sound, with much more clarity. You can accomplish the same thing for the low frequency response by applying the same principles. The EQ3 will reach further into your mix than you've ever heard before with minimal phase distortion. As a result, you may need to take a little time and «play around» with the controls on the EQ3 before you can make intuitive adjustments. To use EQ3 as a plug-in, you need an AUv3-compatible host app like GarageBand, Auria, AUM, Cubasis and more — EQ3 will appear in the list of Audio Unit extensions for effect plug-ins in the host app.