ScaleGen vs PhaseII

ScaleGen - the ultimate scale generator and editor! Generate and manipulate musical scales in any way you can imagine. You think you know what a scale is - think again. In ScaleGen you can do all that you would traditionally imagine when it comes to scales and pitch organisation, and then much, much more. Define or change scales in the most detailed and intricate way. Audition the scales you make from within the app or export it as a MIDI file or to our app Gestrument - the revolutionary gesture-instrument. This is the tool for anyone who wants to go beyond the traditional tonalities in whichever genre. ScaleGen comes with predefined scales of all kinds - from the traditional western scales and early music (Baroque/Renaissance) scales to asian scales from India, Indonesia and elsewhere as well as more conceptual scales based in the classical contemporary music. This is the ultimate tool for experimental composers in any genre as well as for musicians who want to explore new ways of thinking about music. The educational aspects of how pitches can be organised makes ScaleGen a must have for serious music students. But the directness of the app makes the learning both fun and artistically developing. What is a scale? For most people it is a collection of pitches within one octave, with equal temperament (all half tone steps equally long) or with microtonal intonation. That kind of scales are of course possible to make and edit in ScaleGen which gives you a keyboard with complete control of up to 24 pitches within one octave. But the most interesting things with ScaleGen is when you start to think of a scale as something more open. Consider these questions: What if your scale was different in every octave? Why must a scale always go from down to up? What if you could use a variation of the overtone series as a scale? How does it sound if you divide the octave in five steps instead of twelve? In ScaleGen we define a scale as any list of MIDI pitches that you can manipulate in many ways. You can start with a keyboard to input pitches, you can use the concept of the overtone series with multiplication of frequencies, you can define the number and size of the steps in the scale or you can import MIDI files and use them as scales. Then you can fine-tune your scale in a matrix with a number of tools. You can then try and play your scale directly in the app, using built-in sounds or control your favorite external synthesizer/app through MIDI. If you want to try and play on your newly created scales in another way we recommend you open them in the app Gestrument - the revolutionary gesture-instrument. But you can also save the scales as text, Scala, or MIDI files and open them in another program.

PhaseII Dual Stereo Phaser Plugin (AUv3) PhaseII is an audio effect plugin that can run standalone, or in any AU compatible host application such as Logic Pro, GarageBand or AUM. Overview PhaseII is a dual stereo phasing machine with a vintage vibe! As well as traditional super-wide stereo phasing effects, PhaseII can also produce all manner of swirly modulated goodness by running the independent phasing engines in parallel or series. Selectable modes allow quick access to finely-tuned settings under the hood that "just work", from subtle to extreme - just the thing if you find some phasers to be overly complex with too many parameters! Set Rate and Depth to taste, adjust the stereo Width, then you can even add some gritty Drive for some "analog" warmth. Controls Active - Bypasses the effect (Off) or selects one of the following processing modes: Stereo - Two independent phasers for the left and right channel, with LFOs 90 degrees out of phase for a stereo effect, determined by the Width control. Parallel - Two independent stereo phasers for the incoming audio, which are then summed together at the output stage. The LFOs for each of the four phasers are 90 degrees out of phase for a stereo effect, determined by the Width control. Series - Two independent stereo phasers with Phase I processing incoming audio, which is then passed on to Phase II for a double-helping of phasey goodness at the output stage! This is potentially the most dramatic phasing effect, especially with the Width set to maximum as each of the four phaser LFOs are 90 degrees out of phase. The following controls apply to each phase stage, referred to as Phase I or Phase II: Phase I/II - Toggles the Phase I or Phase II processing engine On or Off. Rate - Sets the rate of the phaser LFO in Hz. Depth - Sets the depth of the phase effect. Mode - Selects one of four different modes. Each mode configures several "under the hood" settings - think of each mode as a mini preset for internal parameters. Modes range from subtle (I) to extreme! (IV). The following controls are global: Width - Adjusts the stereo width from super-wide to monophonic. Note this only adjusts the "wet" phased sound so your original stereo image remains intact for the "dry" signal. Drive - Applies an optional amount of warm overdrive to the phaser processing only, for a bit of a vintage vibe! Mix - Balances the processed audio with the incoming / dry signal. At zero, the output is totally dry, and at 100%, the output is totally wet and phased to the max! The phasing effect can sometimes create loud resonant frequency peaks that could result in clipping. To protect against this, soft limiting is applied at both the phasing processing stage and at the final summed output. If the input levels are high, this can add to the "analog" like sound of PhaseII when compression and saturation occurs. About The UI Not everyone likes the UIs of my latest (2025) plugins - I get it. However, the simplistic and generic approach allows me to (a) 99% focus on the DSP, sound quality and CPU performance, and (b) significantly reduce the development (and potential maintenance) time, which is reflected in my pricing. For more info and support please visit: www.waverley-instruments.com/robjackson