synthQ vs ERS_250

Introducing the queuing synthesizer for iPad. SynthQ has been designed from the ground up with the touchscreen interface in mind. SynthQ is a subtractive synthesizer with a customizable interface. A unique module queuing system, resizable multi-octave keyboard, and intuitive cable-based modulation controls offer a truly dynamic music-making experience for iOS. Each part of the synth is separated into units called modules. Each module snaps into place along a scrollable surface above the keyboard. Control the number of modules shown on the screen at any time. Control which modules appear for each sound. Tap a button on the module menu to launch a module and add it to the queue. Drag a module up and release to remove it from the queue. Drag a module down to move it within the queue. Add variability to your sound by connecting different modules using virtual cables. Alter the sound with synthQ's movable keys. SynthQ provides an intuitive and engaging way to get started creating your own sounds, and is ideal for production, performance and music education environments. Full feature list: MODULES: —three oscillators — sine, triangle, saw, square, pulse and resonant noise waves —three adsrs — amp, filter and modulation envelopes —filter with lowpass, hipass, bandpass, band-reject and peak filter modes —glide —frequency modulation oscillator —ring modulation oscillator —eight modulation bays with virtual cables enable interactions between modules —three tempo-syncable LFOs with sine, triangle, saw, reverse saw, square, random curve and random step waves —two XY matrix pads —XY keys module turns the keyboard's movable keys into modulation sources —sequencer module with Ableton Link support and built-in arpeggiator mode —vocoder using microphone or Inter-App Audio Effect input —two FX slots with chorus, flanger, phaser, reverb, tremolo, distortion, delay and bitcrush —analog simulation with soft clipping and random pitch wavering —midi module with pitch bender, modwheel and velocity —master volume control INTERFACE: —multi-octave resizable keyboard with 10-voice polyphonic, monophonic and legato modes —optional "sticky keys" mode locks each key to your finger after being pressed —when used as a modulation source, sound can be altered by moving the keys in different directions —unique rearrangeable module queuing area defines which controls are present per preset —fully featured preset menu system with options to share and import via e-mail or iTunes File Sharing —import presets directly from iOS mail by tapping and holding the attachment and pressing "Open in synthQ" —functional graphic design and layout eliminates screen switching by keeping the control modules and keyboard in constant view OTHER FEATURES: —Audiobus 3 support with Inter-App Audio —A=432Hz, A=440Hz and A=444Hz tuning modes —44100k Hz, 32000 Hz and 22050 Hz sampling rate modes —MIDI input and output per channel —basic recording feature to save, play, loop, and share recordings —import .WAV files from iTunes File Sharing for playback —parallax motion effects Follow @synthQ on Twitter for latest announcements and free preset packs, updated regularly! Share your presets with the developer for a chance to get them added to an official update!

The ERS 250 reverb audio plugin was originally designed and sold by Harrie Munnik and his Dutch company EmptyRoomSystems. DDMF, having been a part in the development of the first version some years ago, is proud to carry on the legacy by distributing and further developing the set of ERS plugins. This unit is a faithful replication of the first digital hardware reverb ever made, the EMT 250. Only 250 units of that legendary studio tool have ever been produced… needless to say, the availability as an audio plugin has received an enthusiastic welcome by the audio engineering and production community. Now this plugin is finally available for compatible iOS hosts that support either AUv3 or InterAppAudio. Features: - Careful reproduction of the original schematics - Adjustable reverb decay time (from 0.4 to 5 seconds), low frequency response, high frequency response, and predelay - Additional low-pass filter to create darker sounds - Dry-Wet ratio adjustable - Alternative “modern” schematics available