Brusmaskin

Brusmaskin

Pocket groovebox & sampler

0 ratings
Free

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Details

  • Released
  • Updated
  • July 29, 2026
  • August 11, 2026

Features

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About

Brusmaskin is a pocket groovebox — an 8-track synthesizer, sampler and sequencer for making complete tracks wherever you are. FOUR SYNTH ENGINES FM synthesis with a subtractive filter stage, a raw mono synth with drive and wavefolding, a lush 7-voice supersaw, and a dedicated drum synth with FM percussion, filtered noise and attack transients. Plus a sampler with slicing, key-mapped chopping, non-destructive trim and a start offset for ghost notes. DEEP STEP SEQUENCING Per-step trig conditions, probability, ratchets with pitch rolls, swing, and patterns up to 128 steps with independent speed and length. An arpeggiator with chord pools, inversions and free-run mode. Sound locks put a different sound on any step, and per-step parameter offsets shape your sounds over time. SONGS, NOT JUST LOOPS Chain patterns into parts, phrases and full songs. Perform live in the performance view, mix with per-track faders, and glue everything together with chorus, delay and a rich plate reverb. Sidechain ducking built in. HANDS ON MIDI learn maps any knob, fader or button on your controller to sounds, mixer faders, mutes and solos — with soft takeover so nothing jumps. 512 factory presets cover every engine, and an INIT patch per synth type gives you a clean starting point when you want to build from scratch. YOURS Projects and sample banks are stored in iCloud Drive as plain files you can see and back up. Three clock-syncable LFOs per sound, scale-aware note entry, and a built-in sample browser. No account, no subscription, and everything works completely offline.
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What's New in Brusmaskin

3.2

August 11, 2026

A NEW ENGINE: PLUCK — a real plucked string (Karplus-Strong). DECAY in time, endless drones, a pick that changes every note, piano-wire STIFF, and the original 1983 noise-drum mode. 32 presets. ROUTES EVERYWHERE — three envelopes and three LFOs, each with three destinations. ENV C is free, HOLD and CURVE shape every envelope, and END floors turn sounds into drones. EVERY TARGET LIVES — samples get real vibrato and per-note slice/start/length chops, drums get a moving noise filter and real FM modulation, and sends are targets for dub throws. PRESETS KNOW THEIR OCTAVE — drums and basses land at C2, and your own presets remember the note they were saved on.

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