Brusmaskin

MASTERING — EXPORT AUDIO now finishes your song like a release: the mix is measured (EBU R128), raised to the target and the peaks are caught by a transparent true-peak limiter. Pick STREAM (-14 LUFS), LOUD (-9) or CLUB (-7) — the choice is remembered across projects, so a whole album gets the same loudness and the same character. ADJUST THE RECIPE — tweak the LUFS target itself, TONE (one darker/brighter tilt), GLUE (gentle bus compression) and WIDE (a stereo lift). MASTER A TAPE — the cassette view masters your jam to a new tape ("· M"). The original stays untouched, so you can A/B them from the list. THE DRUM GROWS A BODY — BODY puts a resonant skin under the hit: four modes struck by the transient, ringing on their own clock. BODY TONE morphs the material from tom membrane to bell plate; harder hits excite it more, not just louder. Eight new presets built on the skin. METAL, ITS OWN VOICE — the 808 cymbal's two paths, for real: the six-square metal stack now has its own attack and decay, so a ride can ping fast while the noise wash rings on. And GRAIN thins the noise into 909 grit, crackle and dust. EVERY DRUM PART ON ITS OWN TIME — tone, noise, metal and body each carry their own attack and decay; the drum's envelopes are pure modulation now. Old drum sounds migrate automatically. A SWEETER ENGINE — anti-aliased oscillators (high leads stop fizzing), constant-power pan and chords, smoother sample playback, and the same sound at every sample rate. PUSH MIRROR — turn the phone to landscape with a Push connected and the screen becomes the Push 1 display in large format.