Brusmaskin vs Scouter Synth

Brusmaskin is a pocket groovebox — an 8-track synthesizer, sampler and sequencer for making complete tracks wherever you are. SEVEN SOUND ENGINES FM synthesis with a subtractive filter stage, a raw mono synth with drive and wavefolding, a lush 7-voice supersaw, a dedicated drum synth with FM percussion, filtered noise and attack transients, a plucked string (Karplus–Strong) with a pick that changes every note, and GRAIN — a granular engine that plays any sample as a cloud. Plus a sampler with stereo samples, slicing, key-mapped chopping, non-destructive trim and a start offset for ghost notes. The same audio plays both ways — sampler or cloud — with zero copies. RESAMPLE YOURSELF Capture any track with one button — it keeps playing while the recording runs through its own private effects, so the take carries the filter, the drive and the track's own reverb and delay tail, in stereo. Then listen and choose what it becomes: a sample, a grain cloud sliced on the hits, or a playable kit where each note is one hit. Or record from the microphone, or GRAB the last 30 seconds of the master — the take you just played but forgot to record is still there. DEEP MODULATION Three envelopes and three LFOs per sound, each with three freely routable destinations — and every target lives on every engine. Vibrato on a sample, a moving noise filter on a drum, an LFO that rechops a break on every note, an envelope that scrubs a grain cloud through a field recording. HOLD, CURVE and END floors turn envelopes into drones. DEEP STEP SEQUENCING Per-step trig conditions, probability, ratchets with pitch rolls, swing, and patterns up to 128 steps with independent speed and length. An arpeggiator with chord pools, inversions and free-run mode. Sound locks put a different sound on any step, and per-step parameter offsets shape your sounds over time. SONGS, NOT JUST LOOPS Chain patterns into parts, phrases and full songs. Perform live in the performance view, mix with per-track faders, and glue everything together with chorus, delay and a rich plate reverb. Sidechain ducking built in. HANDS ON MIDI learn maps any knob, fader or button on your controller to sounds, mixer faders, mutes and solos — with soft takeover so nothing jumps. 576 factory presets cover every engine, and an INIT patch per engine gives you a clean starting point when you want to build from scratch. YOURS Projects and sample banks are stored in iCloud Drive as plain files you can see and back up. Scale-aware note entry, a built-in browser of vintage drum machine sample packs, and video import that pulls the audio straight out of a screen recording. No account, no subscription, and everything works completely offline.

ScouterSynth is a music tracker built like a handheld console. Eight tracks, a D-pad, two buttons, and no menus — every operation is a chord you can play with your thumbs. WRITE Phrases of sixteen rows, chains of phrases, and a song made of chains. Write a bassline once and place it four times with different transposes; change it later and every one of those places changes with it. Phrases can be shorter than sixteen rows, so six-eight is as easy as four-four. SOUND A synth voice per track — saw, pulse with PWM, triangle and sine, through a resonant filter and an envelope — or a sample, played whole or sliced. Wavetables for the sounds a plain oscillator cannot make. Per-tick tables for automation that runs faster than a row. SAMPLE Import from anywhere on your phone, or record straight into a slot from the microphone. MP3, AAC, M4A, AIFF and WAV are all converted on the way in. Whatever you choose is copied into your project, so a saved song carries its audio with it. MIX Ten lanes on one screen — eight tracks and two send buses — with level, pan, mute and solo, and three effect slots on each: filter, bitcrush and a tempo-synced delay. Watch the desk as a set of numbers or as ten live traces. PLAY A performance pad wires any two parameters to an X and a Y axis and moves every track at once. A grid of twelve pads holds six punch-in effects — an octave down, tape slow, a stutter, a bitcrush, a high pass and a low pass — held rather than latched, so nothing can be left on by accident, and six one-shot samples to fire over the top. SEE A radar sweep that reads the mix by frequency, a scope on the output, and six palettes to put it all in. INTEGRATE MIDI in and out with clock. A Bluetooth game controller, mapped button by button to whatever pad you own. Export the whole arrangement to a WAV. Songs, samples and exports all sit in the Files app where you can reach them. No accounts. No subscriptions. No network. The manual is inside the app — press SELECT and B on any screen.