CamPlot Director's Viewfinder

THE SUN AND THE MOON, ON THE SHOT The sun path now stands on true north and a real lens projection, so the arc lands where the sun actually is in the frame — on the ultra-wide as well as the main lens. The moon joins it, with its own arc across the full 24 hours and a disc showing tonight's phase. Show the sun, the moon, or both. If the compass reads off, hold the sun button, choose Align, and tap the sun. LONG EXPOSURE, OUT TO 30 SECONDS The Photo shutter now runs past a second: 2, 4, 8 and on to 30. iPhone will not hold a shutter open longer than a second, so the finder stacks the frames in linear light and adds them, the way the night-sky apps do it. The exposure builds on the glass while you watch, and the finished still goes through the same LUT and white balance as any other capture. THE ZOOM RIDES THE CAMERA ITSELF Focal length is now handed to the camera, which picks the glass, instead of switching lenses in steps. Boundaries feel continuous. When a focal length can only be reached by cropping, the lens tag says DIGITAL, so you always know what you are looking at. Settings → General → Labs holds the way back for this release. SMALLER THINGS Cinematic switches itself off after a capture and after five minutes, with a toast saying so — it costs you the long lens and the manual focus ring, and it was too easy to leave on. The record button is a plain red disc now. Torch is called Light; CP primes are Native. iOS Larger Text no longer breaks the layout. And in video, automatic shutter stops at 360° even with slow shutter switched on — the slow rungs are for a shutter you are holding.