
Southwind Screenplay
Write like it's 1972
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Free
About
Southwind is a screenplay editor that gets out of your way. Write the way the greats did — clean pages, Courier type, nothing between you and the story — while the app quietly handles the formatting.
JUST WRITE
Type INT. and it becomes a scene heading. Type a NAME IN CAPS and press Enter — it's a character cue, and the next line is dialogue. A "(" becomes a parenthetical. "CUT TO:" becomes a transition. You never stop to reach for a menu.
GUIDED SCENE HEADINGS
Start a slugline and Southwind offers the pieces: INT. / EXT. / I/E., then the locations you've already used in this script, then the time of day — DAY, NIGHT, DAWN, DUSK and more. It reads like it's holding your hand, not slowing you down.
NINE ELEMENTS, ONE KEY
Act, Scene Heading, Action, Character, Dialogue, Parenthetical, Transition, Shot, Text — switch with Tab or jump straight there. Proper margins, proper case, proper page breaks, automatically.
A LIVING CAST & WORLD
Every character and location is pulled from your script as you write — with line and scene counts, and day/night tallies. Give anyone a photo and a few notes: who they are, what they want, the contradictions underneath. Your story bible builds itself.
YOURS, AND OFFLINE
No account. No sign-up. No tracking. Your screenplay lives on your device and nowhere else. Southwind works with no connection at all.
OPENS AND SAVES REAL FORMATS
Import and export plain-text Fountain — the open screenwriting standard — so your work moves freely between tools. Or save the full .southwind file with your cast and world notes intact. Print or export a clean, industry-standard PDF with a title page.
BUILT TO GROW
Southwind is the first tool in RATE, a pipeline that carries a story from the page toward the screen. It starts here: the draft.
Write like it's 1972. Let the machine keep the margins.
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What's New in Southwind Screenplay
1.2
August 10, 2026
Print works from your phone now. It goes through the system print sheet, which is also the way to a PDF — and what comes out is a properly set shooting script, same as on a desktop. On iPhone, the element row now lives inside the keyboard itself, the way Notes carries its formatting bar: it arrives with the keys, in the keyboard's own material, and the current element is simply the one in colour. The old bar at the foot of the screen is gone there, and that space belongs to the page again. Smaller things: the bar keeps out of the way on iPad where it still carries the panels, and everything follows light and dark without being asked.
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