Fugue Machine vs OtherDesertCities

A music sequencer reimagined with multiple playheads. "How Bach would have made a sequencer." (Create Digital Music) "A musical feat." (Creator's Project) "A new approach to sequencing." (XLR8R) "A next generation music sequencer." (Ask Audio) Fugue Machine Classic is a tool inspired by composition techniques used in Baroque music and Serialism — e.g. Bach’s canons and fugues, and Schoenberg’s twelve-tone technique. The idea was to design a tool to manipulate a melody’s speed, direction, and pitch, as well as play multiple variations of the melody simultaneously. As it turned out, the best implementation for this was to reimagine one of the most fundamental building blocks of all music sequencers: the piano roll. Fugue Machine Classic is the world’s first multi-playhead piano roll. Create a music sequence and play it back with up to four playheads at once — each at various speeds, directions, pitches, and more. Watch the playheads dance, and hear the complex patterns that emerge. It’s mesmerizing. Fugue Machine Classic supports iPhone, iPad, MIDI, AUv3 MIDI, Ableton Link, Audiobus, Audiobus 3 MIDI, and Inter-App Audio. Thanks to the AUv3 standard, you can run multiple instances of Fugue Machine Classic on a single device when hosted in an AUv3 MIDI host app — like AUM, Logic Pro for iPad, Loopy Pro, and Cubasis.

Other Desert Cities is a multi-mode delay plugin built for sound designers, producers, and anyone who thinks regular delays are getting a little boring. Named after the famous sign on the I-10 leaving Los Angeles, Other Desert Cities takes you down less-traveled roads. Six algorithms, each with its own distinct personality. A full suite of modulation. A diffuser that smears feedback toward reverb. And gain-structure controls deep enough to duck, pan, and route almost anything. ALGORITHMS Desert Shores — a clean dual stereo delay with saturation, filtering, spread, and crossfeed. Mecca — a reverse delay with smooth crossfading and an optional Reflect mode that alternates playback direction on each repeat. Cactus — a dual-delta delay. Each side runs as a variable-speed looper, playing forward or backward at any speed from zero to 2x, with pitch quantized to octaves, fifths, or semitones. Thermal — a multi-tap delay with up to sixteen equally-spaced taps per side, each with its own level. Mirage — a variable-speed multi-head delay inspired by the 1967 Eltro Information Rate Changer. One to four rotating heads play through a circular buffer at any speed from -2 to +2. Sky Valley — a granular delay with independent control over grain size, scatter, and pitch randomization. Transpose from three octaves down to one octave up. MODULATION Two tempo-syncable LFOs with variable shape and skew, plus an envelope follower with sidechain input. Almost every parameter in the plugin can be modulated. Click any knob and assign modulation depth from each of the three sources independently. DIFFUSER A diffusion processor sits inside the feedback path, with controls for size, diffusion amount, modulation rate and depth, and a dedicated low-cut filter. At high settings it takes the delay into reverb territory, especially paired with the Thermal algorithm. LEVELS Full input/output gain control, stereo width, independent delay pan, regeneration balance, and wet balance. Input level and mute sit before the delay block, so the plugin works correctly as both an insert and a send, with proper tails behavior. PRESETS Factory presets from Chris Randall, Matthew Lyon, Red Means Recording, and Time Rival, plus a cross-platform XML-based preset manager with import, export, and clipboard paste. FEATURES Six distinct delay algorithms Two LFOs and an envelope follower with sidechain Diffuser with independent modulation Tempo sync on delay times and LFO rates Delay times up to two seconds free, ten seconds synced Cross-platform XML preset format AUv3 and standalone Also available for macOS, Windows, and Linux in VST3, AU, AAX, and CLAP formats from Audio Damage.