Fugue Machine vs Fluss

A music sequencer reimagined with multiple playheads. "How Bach would have made a sequencer." (Create Digital Music) "A musical feat." (Creator's Project) "A new approach to sequencing." (XLR8R) "A next generation music sequencer." (Ask Audio) Fugue Machine Classic is a tool inspired by composition techniques used in Baroque music and Serialism — e.g. Bach’s canons and fugues, and Schoenberg’s twelve-tone technique. The idea was to design a tool to manipulate a melody’s speed, direction, and pitch, as well as play multiple variations of the melody simultaneously. As it turned out, the best implementation for this was to reimagine one of the most fundamental building blocks of all music sequencers: the piano roll. Fugue Machine Classic is the world’s first multi-playhead piano roll. Create a music sequence and play it back with up to four playheads at once — each at various speeds, directions, pitches, and more. Watch the playheads dance, and hear the complex patterns that emerge. It’s mesmerizing. Fugue Machine Classic supports iPhone, iPad, MIDI, AUv3 MIDI, Ableton Link, Audiobus, Audiobus 3 MIDI, and Inter-App Audio. Thanks to the AUv3 standard, you can run multiple instances of Fugue Machine Classic on a single device when hosted in an AUv3 MIDI host app — like AUM, Logic Pro for iPad, Loopy Pro, and Cubasis.

Fluss is a sonic playground designed by Bram Bos and Berlin-based musician Hainbach to let you explore granular synthesis in a hands-on way. The playful touch UI invites anything from live performance, experimentation to learning and mastering the granular concept. Multiple plugins: Import, Record or Live Process You can import your own WAVs (standalone & AUv3 Instrument plugin), Record audio (Record effect plugin) or live-process sound (Process effect plugin) to create anything from drones and granular echoes to moving microtonal audio textures. Designed for touch: Kinetic Sliders All sliders and XY pads are linked to a physics model which lets you flick and throw them around. Minimise the friction for endless bouncing motion, as an innovative substitute for traditional LFOs and modulation. There was never a better reason for using a touchscreen for music. Shimmer Feedback effect Like a shimmer reverb, except it feeds the processed audio back into the grain engine. This lets you create an endless loop of pitch-shifting spaciousness, turning even the simplest of sounds into massive woolly mammoths. - 3 Voice grain engine, each with an independent playhead - Playable via MIDI (since version 1.1) - Filter inspired by the Oberheim Xpander, including its resonant Phase filter - Kinetic sliders and pads for playful interaction with the sound - Universal design (iPhone and iPad; iPad Air 2 or higher recommended) - Custom scales, unquantised mode and even Scala-import for microtonal experiments - Use WAVs (or other audio files), record audio or load the app as a live-processing audio effect - Real world tested as an instrument in numerous live performances by Hainbach - Offers light mode and dark mode UI