DC vs EQ

DC-9 Overdrive is a circuit modeled overdrive plug-in that emulates the famous Ibanez® TS9 Tube Screamer. The DSP algorithms in DC-9 take into account the entire schematic, using the latest modeling techniques. This gives you an authentic analog sound that matches the character of the physical circuit. DC-9 is an Audio Unit Extension (AUv3) that works inside host apps. Just open up your favorite host that supports Audio Units and add it as an effect. The controls expand when touched so they can be easily seen while tweaking. DC-9 brings the distinctive warm overdrive crunch to your favorite iOS DAW. Compatible with GarageBand, Cubasis, Auria, BeatMaker, AudioBus, AUM, Modstep, and more. DC-9 gets its name from the Diode Clipper circuit used to create the distortion. Accurate modeling of the clipper by circuit simulation gives DC-9 an edge over the common distortion plug- in. The effect was carefully tuned using A/B comparisons to the original stop box. Blamsoft brings their experience creating top notch plug-ins for the desktop to iOS. The same algorithm is found in the popular Rack Extension for Propellerhead Reason. You get a desktop quality algorithm at an iOS friendly price. Tap Developer Website for sound examples. Note: Second screenshot shows the effect of touching a control.

EQ-A AUv3 plug-in — comes as time-limited Demo-version for you to try. It gives you 5 minutes of Free play time. (You can reload the EQ-A AUv3 plug-in as many times as you want, thereby you get the Demo period again and again.) Unlimited version of EQ-A AUv3 plug-in comes as In-App Purchase. The EQ-A based on Classic British EQ from the '70s. With a surprisingly wide range of tonal variations, the EQ-A is an invaluable and professional audio tool with great flexibility and excellent sonic ability. Features: • Standalone and AUv3 plug-in; • Precise port of Rack Extensions plug-in; • Modeled vintage EQ; • Four bands of classic British equalization (the mid frequency EQ sections are «peaking», while the high and low frequency sections are «shelving»); • Each band offers 4 selected frequency centers; • 15 dB of boost/cut per band; • Three high pass filters at 18 dB per octave and three low pass filters at 12 dB per octave; • Stereo (Mono), Mid or Side EQ modes; • Saturation On/Off-button; • The main of the EQ section allows four frequencies at any one time, switchable to one of four frequencies: Low Filter (Shelf): 50, 80, 100, 150 Hz; Low-Mid Filter (Bell): 250, 500, 1k, 2k Hz; High-Mid Filter (Bell): 3k, 5k, 7k, 9k Hz; High Filter (Shelf): 8k, 10k, 12k, 15k Hz; • Undo/Redo; • A/B comparison; • 2x/4x/8x Upsampling; • Macro controllers; • Built-in Gain Match; • Scalable GUI. A series of three high pass filters at 18 dB per octave and three low pass filters at 12 dB per octave are arranged at the ends of the EQ section. They are unique in that the switches can be pushed in simultaneously, offering distinct cut filter combinations with unusual filter curves. The EQ-A extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. Allows you to choose between equalizer modes (Stereo, Mid, Side) and remove analogue saturation from the processing circuit to deliver pure digital sound.