Dubstation 2 vs UltraTap Delay

Dubstation has been a fixture in dub, electronic, and pop production for nearly twenty years. It emulates the analog bucket-brigade delays of the 1970s and 80s, with their pitch-bending, warmth, and gradual high-frequency loss intact, then adds things those circuits could never do: true stereo dual-time delays, ping-pong, a stereo LFO, and a clean digital looper with overdub and reverse. Sound and Character The bucket-brigade model is the real thing: the high-cut frequency tightens as delay time gets longer, exactly like the original hardware. A low-cut filter trims the bass for the thin echoes of early Jamaican dub. A saturation stage on the feedback path adds analog-style breakup as repeats stack up, and the LFO modulates delay time for chorus, flange, and pitch swoops. Looper and Reverse The LOOP switch turns Dubstation into a clean digital looper that holds the buffer indefinitely and accepts overdubs. This is different from cranking the feedback, which degrades and distorts the signal over time. The REVERSE switch flips the delay memory backwards, and combined with the looper produces reverse loops that hold their fidelity indefinitely. Features >> Single, dual-time, and ping-pong modes >> Tempo-synced or millisecond timing, with dotted and triplet values >> 4 ms to 2 second delay range with X2 switch >> Bucket-brigade modeling with delay-dependent high-cut filter >> Low-cut filter from 100 Hz to 1.5 kHz >> LFO modulation of delay time, 0.01 to 5 Hz >> Saturation on the feedback path >> Tempo-synced stereo looper with sound-on-sound and reverse >> Stereo width control >> Factory and user presets, shareable with the desktop version via XML >> Optimized for low CPU usage on older devices >> Full manual at audiodamage.com

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral. Features: - Use up to 64 taps to create simple repeats or morph delays into choruses and reverbs. - Speed up or slow down the rhythmic spacing between taps using the Spread knob. - Use the onboard LFOs and envelopes to chop the sound source into stuttered rhythms. - Use the innovative "Slurm" control to smear taps together or modulate them to create truly unique reverbs. - Control the stereo image of taps to alternate between hard-panned and mono. - Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more. - Innovative Ribbon and Hotswitch allow for changing any combination of parameters simultaneously. - Use Mix Lock to scroll through presets while keeping the wet-dry mix constant. - Available as an Audio Units AUv3 plug-in and Standalone App.