Bark Filter vs MagicDeathEye DDMF compressor

Bark Filter - Critical Band Analyser/Filter/Compressor The multi band filter in Bark takes the approach to match the reception characteristic of the gate where all sounds must pass through: the human ear. The ear behaves as if it contains a bank of filters, each filter passing frequencies within their respective critical band. Two tones apart more than the frequency dependant critical bandwidth are perceived as separate tones. For this reason Bark contains a filter bank with 27 very steep bandpass filters matching the critical bandwidth characteristic of the human ear. In fact, the human ear have also its own built in multi band compression system which are based on the critical bands. Why the name Bark ? The Bark scale is a frequency scale on which equal distances correspond with perceptually equal distances. Above about 500 Hz this scale is more or less equal to a logarithmic frequency axis. Below 500 Hz the Bark scale becomes more and more linear. Multiband compressors can act differently on different frequency bands. The advantage of multiband compression over full-bandwidth compression is that unneeded audible gain changes or "pumping" in other frequency bands is not caused by changing signal levels in a single frequency band. Bark can act both as single band compressor and with up to 27 bands in multiband mode by linking critical bands. The linear phase filter bank with its steep filter slopes can be used for unusually pronounced filter effects too... Features: • Multi band dynamic range compressor with up to 27 bands • Variable number of compressor bands (1..27) • Threshold/Ratio Attack/Release and Makeup Gain • Linear phase precision filters for maximal transparency • Real time pre/post processing calibrated spectrum analyser • AudioUnit for AUv3 compatible hosts. • Inter-app audio compatible effect. • Audiobus 3 compatible with state saving. • Low latency live usage with mic and headphones. • Audio recorder

MagicDeathEye is an emulation of a high-end tube compressor, available in AUv3 and interapp audio format. It is totally unique in the way it was molded from the ground up. Working together for almost a year Magic Death Eye and DDMF offer an extraordinary compressor, rich in sound, easy to control, and pleasing to the eye! We hope you enjoy it so much, it becomes your go to compressor and an indispensable mix tool. The Magic Death Eye compressor excels at vocals, bass, keys, or just about any instrument you can think of. Its gentle compression curve is also suited for master buss duties. There is a broad range of sidechain timings for just about anything a mix can throw at it. Input level controls the amount of signal that enters the intelligently modeled input transformer, tubes, and output transformer. Threshold controls the amount of signal fed to the sidechain circuit and can be thought of as the amount of compression applied to the signal. The amount of compression available is also determined by the amount of input signal present. Clicking on the "output adjust" will produce a fader with a +5dB to -20dB range acting as a master volume post compressor circuit. This is a modification to the original hardware unit in where there is only 3db of fine adjustment available. The "time" knob controls the attack and release of the compression. "1" is the fastest attack and release, "4" is the slowest. "D1" and "D2" have a fast attack, and a dual release, from medium to slow. The "attack" switch, modifies all the "time" settings with an overall Fast, Medium, or Slow. response. The "150Hz filter switch, when in the UP position, lessens frequencies under 150Hz sent to the side chain. Use this switch if you don't want low frequency material like a kick drum to pump the rest of the music. Very useful for gently compressing a whole mix. Staying true to the hardware, The bypass and power switch have the same function. Both preform a hard bypass in which the signal is not processed.