Bark Filter vs PSA1000

Bark Filter - Critical Band Analyser/Filter/Compressor The multi band filter in Bark takes the approach to match the reception characteristic of the gate where all sounds must pass through: the human ear. The ear behaves as if it contains a bank of filters, each filter passing frequencies within their respective critical band. Two tones apart more than the frequency dependant critical bandwidth are perceived as separate tones. For this reason Bark contains a filter bank with 27 very steep bandpass filters matching the critical bandwidth characteristic of the human ear. In fact, the human ear have also its own built in multi band compression system which are based on the critical bands. Why the name Bark ? The Bark scale is a frequency scale on which equal distances correspond with perceptually equal distances. Above about 500 Hz this scale is more or less equal to a logarithmic frequency axis. Below 500 Hz the Bark scale becomes more and more linear. Multiband compressors can act differently on different frequency bands. The advantage of multiband compression over full-bandwidth compression is that unneeded audible gain changes or "pumping" in other frequency bands is not caused by changing signal levels in a single frequency band. Bark can act both as single band compressor and with up to 27 bands in multiband mode by linking critical bands. The linear phase filter bank with its steep filter slopes can be used for unusually pronounced filter effects too... Features: • Multi band dynamic range compressor with up to 27 bands • Variable number of compressor bands (1..27) • Threshold/Ratio Attack/Release and Makeup Gain • Linear phase precision filters for maximal transparency • Real time pre/post processing calibrated spectrum analyser • AudioUnit for AUv3 compatible hosts. • Inter-app audio compatible effect. • Audiobus 3 compatible with state saving. • Low latency live usage with mic and headphones. • Audio recorder

The PSA1000 Analog Saturation Unit plugin is a modern recreation of a '90s classic analog guitar preamp which is used in recording studios all around the world! It is used and "abused" for recording and characterizing not only guitars but also electric pianos, organs, synthesizers, electric basses and many other instruments. The original unit has found its place even in the mix stage for processing all type of sounds, as drum rooms, percussions, vocals, kicks, snares and sound fx too! For creating the PSA1000 Analog Saturation Unit plugin, Nembrini Audio has carefully modeled the original analog circuits and finely refined it by ear as all its products. Nembrini Audio also adds new features that brings the PSA1000 Analog Saturation Unit plugin to modern days: - Independent controls for left and right channels with individual and global links - Dry/Wet mix knob for both channels - Mid/Side operation - Spread circuit to widen the stereo field - Analog Link circuit to simulate the difference between left and right channels as in real analog world - Phase Reverse switch to take advantage of the original phase changes in the real analog unit when used in parallel - In and Out level knobs for maximum versatility Works as a standalone app, AudioUnit v3 effect, or Inter-App Audio effect