Bark Filter vs Gong Amp

Bark Filter - Critical Band Analyser/Filter/Compressor The multi band filter in Bark takes the approach to match the reception characteristic of the gate where all sounds must pass through: the human ear. The ear behaves as if it contains a bank of filters, each filter passing frequencies within their respective critical band. Two tones apart more than the frequency dependant critical bandwidth are perceived as separate tones. For this reason Bark contains a filter bank with 27 very steep bandpass filters matching the critical bandwidth characteristic of the human ear. In fact, the human ear have also its own built in multi band compression system which are based on the critical bands. Why the name Bark ? The Bark scale is a frequency scale on which equal distances correspond with perceptually equal distances. Above about 500 Hz this scale is more or less equal to a logarithmic frequency axis. Below 500 Hz the Bark scale becomes more and more linear. Multiband compressors can act differently on different frequency bands. The advantage of multiband compression over full-bandwidth compression is that unneeded audible gain changes or "pumping" in other frequency bands is not caused by changing signal levels in a single frequency band. Bark can act both as single band compressor and with up to 27 bands in multiband mode by linking critical bands. The linear phase filter bank with its steep filter slopes can be used for unusually pronounced filter effects too... Features: • Multi band dynamic range compressor with up to 27 bands • Variable number of compressor bands (1..27) • Threshold/Ratio Attack/Release and Makeup Gain • Linear phase precision filters for maximal transparency • Real time pre/post processing calibrated spectrum analyser • AudioUnit for AUv3 compatible hosts. • Inter-app audio compatible effect. • Audiobus 3 compatible with state saving. • Low latency live usage with mic and headphones. • Audio recorder

Gong Amp takes an exciting experimental amplifier from the beginnings of electronic music to the plugin world of today. Available as AUv3 and Standalone. In 1932, Maurice Martenot was looking for a way to make his groundbreaking proto-synthesizer “Ondes” audible beyond what could be archived with the horns and loudspeakers of the time. He developed a set of “diffuseurs”, of which the “Métallique” was one. Instead of a paper cone or horn, Martenot put a gong behind the amplifier circuitry. This seemingly simple idea resulted in resonances and brilliant overtones that excite audiences to this day. Using a complex mixture of convolution processing, physical modeling, and feedback systems, we created an instrument that is true to the responsiveness of the original and even transcends it in terms of sound design possibilities.