REMAKE vs MultiComb

Remake is a multi-band effect designed for rich and crisp sound. The input signal is split into 3 parts. Then resonances are added to the lows (under 100Hz) and at the same time two harmonic voices are added to the mid frequencies only. One unison voice and one on perfect fifth interval. These 2 voices have their own positions in the stereo. Then the original mids are mixed with the additional voices and the signal goes through warm and gentle overdrive/gain booster effect with gain control. The high frequencies of the sound are sent through slight vibrato effect. All these signals are finally mixed on the output to form the result sound. The effect can work as a stand alone app and as an audio unit AUV3 plug-in. Controls: - Bass Vibe - amount of resonances on the low frequencies - Mid Gain - gain on the midshipmen’s - Voices - level of the additional mid voices - Reverb This is my first multi-band effect and I made it on a music hack day at Vienna to demonstrate my audio technology.

MultiComb turns a bank of moving comb filters into a playable sound-design effect. Four independent comb voices create shifting resonances across the stereo field, each moving with its own timing, spacing, and character. Smooth modulation keeps the bank alive while Bite introduces stepped sample-and-hold disturbances that push individual combs into new resonant relationships. The result can move from hollow coloration and subtle animation to metallic ringing, mechanical movement, fractured resonance, and unstable tonal textures. MultiComb works across drums, vocals, pads, guitars, percussion, and full electronic textures—but it especially comes alive on leads, basslines, arpeggios, plucks, and other short-note sequences. Individual notes excite the comb bank differently, turning simple melodic or rhythmic patterns into animated, resonant phrases. Teeth reshapes the fundamental comb structure. Motion keeps it moving. Spread pulls the voices apart. Feedback lets resonances ring. Color moves from dark and hollow toward bright, steel-like character. And then there’s Bite. Bite introduces independent stepped disturbances across the comb bank. At restrained settings it adds little irregular catches and tonal shifts. Push it harder and the resonances begin snapping into fractured, metallic relationships of their own. Seven controls. Four combs. Lots of teeth. Features Four independently animated comb-filter voices Moving, evolving resonant structures Independent sample-and-hold disturbances across the comb bank Wide stereo spreading and voice separation Dark, hollow through bright, metallic tonal character Controlled high-feedback resonance Smooth continuous motion combined with stepped instability Particularly expressive on leads, basslines, plucks and short-note sequences Factory presets ranging from subtle coloration to fractured metallic textures