REAMP vs BLEASS Flanger

This effect is a complex spectral saturation processor simulating a set of different analog gear in a new and unique way. Benefits of this algorithm is that it is highly CPU efficient and adds (almost) no latency. The 7 models available are based on real analog gear individually measured in two dimensions; gain responses (-inf dB to +6 dB) at the frequency spectrum 20Hz to 20kHz. This data is used to transform input audio to output audio. Models: Cassette Deck A consumer cassette deck produced in the mid 80’s. This profile adds some nice grit in the lower mids and rolls off the higher spectrum in a very pleasant way. 1/4” Tape Reel A high quality tape reel machine was used for this profile. Set to one channel mode, there was plenty of dynamic bandwidth to capture on this one. Adds some subtle tape saturation that oozes mid 70’s. Preamp Tube Clean / Preamp Tube Drive These two profiles are captured from a high end tube microphone preamp with two different input gain levels (normal gain on the Clean version and a boosted level on the Drive version). Used on only one channel, this profile is very subtle, but the impact adds up when several channels are used simultaneously. Guitar Tube Clean / Guitar Tube Drive The guitar amp used is a well known pro amp used by several pro guitar players, and Just like the Preamp Tube profiles, these are recorded with two different input gain levels. Tube Bass Amp One of the developers friends dad had an old bass amplifier that we borrowed and profiled. Tip: Run a Fender Jazz bass through it and your neo soul licks will sound just like they’re supposed to. Usage: Since there are several models available, this one can be used on almost any type of audio in any genre. The output can span from lo-fi to high-end hifi. One approach is to put it on several tracks with a more subtle setting which makes the essence of the gear simulated add upp. Another is to put it on the mix, or a bus. Since we’re in the digital domain there can be some added aliasing when distorting the signal too much, resulting in an unpleasant high frequency boost. To prevent this, set the HARMONICS switch to SOME or FEW. Feature list • Seven handpicked profiles based on gear we love available. • Spectral drive (four bands) • Dry / Wet mix • Plenty of factory presets • Ultra low latency • Optional 8x oversampling Full documentation available inside the app or at https://klevgrand.se/downloads/reamp-docs/ REAMP works both as a standalone app and as an AUv3 plugin.

BLEASS Flanger harnesses the sonic characteristics of classic flanger effects and brings them fully up-to-date with a pair of flexible LFOs, variable modulation routing, an envelope generator and beat synchronisation. Classic flangers are a delay-based effect, and modulate the delay time to create the distinctive, repetitive flanged sound. But with BLEASS Flanger, multiple modulation sources are combined to create detailed, complex and evolving timbral movement within your sound. The addition of an envelope generator, which is triggered by the incoming signal, adds an additional dimension to the flanger effect, making it sensitive to the dynamics and nuances of your performances. The second LFO can take the sonic possibilities further still, with the option for it to modulate the delay’s feedback strength or stereo width. The tonal character of the effect can be controlled easily thanks to the multi-mode input filter, whilst the ability to synchronise the LFOs to the beat of your music allows you to explore completely new rhythmic and evolving effects. BLEASS’ trademark interface design ensures this powerful collection of tools are both easy and fun to work with, so you can harness their sonic versatility without ever hindering your musical creativity. And with super-efficient CPU usage, and compatibility with all major hosts and DAWs on desktop, iPad or iPhone, BLEASS Flanger is the only flanger you will ever need. More information on https://www.bleass.com/flanger/