REAMP vs Replicant 3

This effect is a complex spectral saturation processor simulating a set of different analog gear in a new and unique way. Benefits of this algorithm is that it is highly CPU efficient and adds (almost) no latency. The 7 models available are based on real analog gear individually measured in two dimensions; gain responses (-inf dB to +6 dB) at the frequency spectrum 20Hz to 20kHz. This data is used to transform input audio to output audio. Models: Cassette Deck A consumer cassette deck produced in the mid 80’s. This profile adds some nice grit in the lower mids and rolls off the higher spectrum in a very pleasant way. 1/4” Tape Reel A high quality tape reel machine was used for this profile. Set to one channel mode, there was plenty of dynamic bandwidth to capture on this one. Adds some subtle tape saturation that oozes mid 70’s. Preamp Tube Clean / Preamp Tube Drive These two profiles are captured from a high end tube microphone preamp with two different input gain levels (normal gain on the Clean version and a boosted level on the Drive version). Used on only one channel, this profile is very subtle, but the impact adds up when several channels are used simultaneously. Guitar Tube Clean / Guitar Tube Drive The guitar amp used is a well known pro amp used by several pro guitar players, and Just like the Preamp Tube profiles, these are recorded with two different input gain levels. Tube Bass Amp One of the developers friends dad had an old bass amplifier that we borrowed and profiled. Tip: Run a Fender Jazz bass through it and your neo soul licks will sound just like they’re supposed to. Usage: Since there are several models available, this one can be used on almost any type of audio in any genre. The output can span from lo-fi to high-end hifi. One approach is to put it on several tracks with a more subtle setting which makes the essence of the gear simulated add upp. Another is to put it on the mix, or a bus. Since we’re in the digital domain there can be some added aliasing when distorting the signal too much, resulting in an unpleasant high frequency boost. To prevent this, set the HARMONICS switch to SOME or FEW. Feature list • Seven handpicked profiles based on gear we love available. • Spectral drive (four bands) • Dry / Wet mix • Plenty of factory presets • Ultra low latency • Optional 8x oversampling Full documentation available inside the app or at https://klevgrand.se/downloads/reamp-docs/ REAMP works both as a standalone app and as an AUv3 plugin.

Replicant 3 is a real-time audio slicing and mangling effect, the third generation of the plugin that started the genre in 2007. Feed it any audio and Replicant's sequencer captures, loops, reverses, and re-slices it on the fly, layering in delay, filtering, panning, ring modulation, and bit-crushing to turn predictable tracks into something unpredictable. Version 3 is a ground-up rebuild with an all-new sequencer engine, expanded effects, and a redesigned interface that makes programming complex slice patterns fast and intuitive. SEQUENCER ENGINE Program 3 to 16 steps per measure with multiple step-size modes, from dotted notes through nontuplets. Build rhythmic patterns that go well beyond straight time. Per-step probability, direction (forward or reverse), and effect routing let you create patterns that evolve and surprise. FOUR SLICE EFFECTS The original Stutter capture-and-repeat is joined by three new modes. Delay adds rhythmic echoes to sliced audio. Redukt applies bit-crushing and sample-rate reduction for lo-fi destruction. Ring Mod adds metallic, inharmonic tonal coloring to any slice event. ENVELOPE CROSSFADING Smooth transitions or hard-gated rhythmic chops on every slice event. Control the attack and release shape of each captured buffer for precise dynamic control. MANUAL AND MIDI TRIGGER Bypass the sequencer entirely and fire slices on demand. Manual trigger mode works with touchscreens for live performance. MIDI trigger lets you drive Replicant from a controller, keyboard, or DAW automation. REDESIGNED INTERFACE A visual step sequencer puts your entire pattern on screen at once. Edit steps, assign effects, set probabilities, and adjust parameters without menu-diving. CROSS-PLATFORM PRESETS XML-based preset manager with presets compatible across all Audio Damage plugin formats and operating systems. SOUND DESIGN IDEAS Sequence stuttering vocal chops with per-step filter sweeps. Build glitched-out drum fills by randomizing slice direction and bit-crushing depth. Layer ring modulation on sustained pads for metallic, evolving textures. Use MIDI trigger mode to fire slices manually in a live set. Program polyrhythmic slice patterns with odd step counts against 4/4 time. Run full mixes through Replicant on a bus for controlled chaos breakdowns. AUv3 compatible. Runs standalone or hosted in AUM, ApeMatrix, Audiobus, Cubasis, GarageBand, and other AUv3 hosts on iOS 11 or newer. From Audio Damage, making creative software for discerning musicians since 2002.