Stereo Delay vs Ascent Reverb

Blue Mangoo Stereo Delay is designed to be the go-to app a for simple, musically tasteful delay effect. The most unique feature is the way it handles panning of delayed echoes in the stereo field. Most stereo delays set different delay times for the left and right channels, resulting in the famous ping-pong effect. The problem with the ping-pong stereo delay sound is that it's too extreme, and our ears quickly tire of hearing the same pattern of left-then-right delay repeated hundreds of times. This plugin does it differently. Instead of setting delay taps at different times panned hard left or right, it always keeps the same delay time setting for both the left and right channels, but it has a unique mixing matrix controlling the feedback between the left and right channels so that each time the echo repeats, it appears in a new place in the stereo field. This is different from a simple panning delay, because older echoes and newer ones can simultaneously appear at different positions in the stereo field. The result is a very natural stereo echo that expands the stereo width of the sound but doesn't sound repetitive or electronic. It's constantly moving and changing. The wet signal output has low-cut and hi-cut filters. The hi-cut filter tones down the harshness of the delay and makes it sound like natural echoes. The low-cut is especially useful for applying delay without making things sound muddy. At extreme settings the low cut can achieve a lo-fi telephone like delay sound. The signal flow diagram is as follows: Filters => LFO controlled pan => Stereo Delay Lines => Mixing matrix => Feedback to Delay Lines The dry signal (not shown above) bypasses the entire effect. The key difference between this and other delays is the mixing matrix, which is similar to the ones used in feedback delay network reverb effects to mix between multi-channel delays without changing the volume of the sound. It is the matrix (not the LFO) that creates the illusion that the signal has moved to a different location in the stereo field each time it repeats through the delays. *** THIS IS AN AUDIO UNIT ONLY EFFECT. IT REQUIRES A HOST APP SUCH AS AUM, Audiobus, GarageBand, OR Cubasis. IT DOES NOT RUN AS A STANDALONE APP. ***

Ascent is a dual reverb for iPhone and iPad. It pairs a deep, natural hall reverb with a granular pitch-shifting particle engine: two reverbs, one interface, built to work together. The result is a sound that moves, from grounded, room-filling depth to shimmering, pitch-shifted atmospheres that evolve over time. The hall is the foundation; it always runs. The particle engine sits on top, and BLOOM sets how much of it you hear. Pull Bloom to zero for a pure hall, push it up for shimmer over the space, and dial in the built-in ducking compressor to keep your dry signal present. Subtle space to full cinematic wash, without ever touching a second effect. FEATURES • Dual reverb engine: hall reverb and particle reverb run simultaneously, with Bloom controlling the amount of shimmer. • Granular particle engine: pitch transposition from -12 to +12 semitones. Dual overlapping grains eliminate the metallic artifacts common in lesser shimmer reverbs, and an octave down gives darker, sub-octave shimmer just as easily as pitching up. • Expanse control: three tuned room modes (Small, Medium, Large) shape the delay network and spatial character of the hall, not just the decay time. • Particulate: adds a touch of randomness to grain pitches for thicker, more organic texture. • Built-in dynamic ducking: reverb tails pull back on transients automatically, keeping your dry signal present without constant fader riding. • Full preset manager with factory presets and favorites. • Runs as an AUv3 plugin in your favorite host, plus a standalone app. Ascent is part of Audio Damage's Motion Effects family, alongside Descent and Traverse. No accounts, no subscriptions, no in-app purchases. Buy it once and it is yours.