BLEASS Reverb vs Continua

Reverbs let us simulate acoustic spaces, but with BLEASS Reverb you can mutate and warp that space in realtime with tactile, hands-on controls. If what you need is great-sounding acoustic simulation, BLEASS Reverb is happy to help. But BLEASS Reverb goes far beyond conventional reverb processors. Its mutable reverb generator, freeze mode and built-in ducker open doors to whole new worlds of sonic possibilities for you to explore. BLEASS Reverb's clear, colourful and intuitive interface lets you focus on the important details of your sound without overwhelming you with countless arcane options and settings. And your iOS device won't be overwhelmed either, thanks to BLEASS Reverb's super-efficient engine. FEATURES • Input section with gain, pre-delay and a high-pass or low-shelf filter • Reverb engine with size, length, HF damping and modulation (rate and amount) • Freeze mode • Transform panel: frequency shifter & wave shaper on an X/Y pad to morph the reverb in realtime • Built-in side-chained ducker with threshold, attack and release • Dry/Wet control • Preset manager with a preset generator • Clear single-screen interface on iPad and iPhone WORKS WHERE YOU MAKE MUSIC BLEASS Reverb is an AUv3 plugin. Load it in GarageBand, Logic Pro, AUM, NanoStudio, Koala Sampler, Loopy Pro or any other AUv3-compatible host. A standalone app is also included. BLEASS Reverb is also available for Desktop (VST3 / AU / AAX) on macOS and Windows. More information at www.bleass.com/reverb

Continua is a professional synthesizer for iPad, built around a single idea: everything should move. Three oscillators with five modes each — Virtual Analog, Additive, Supersaw, Supersquare, and IXA — give you a palette that runs from warm analog warmth to aggressive digital textures to sounds that have no easy name. Stack 64 sine waves. Detune five sawtooths simultaneously. Explore phase modulation borrowed from a synthesizer most people have never heard of. The oscillators are just the beginning. Continua's filters don't switch between types — they morph between them. Low pass becomes band pass becomes high pass in a continuous sweep, with resonance and two- or four-pole slope selectable at any point. Two filters running in series or parallel, each one a moving target. Modulation is where Continua earns its name. Nearly every parameter is a destination. Every knob can receive up to five simultaneous modulation sources — envelope generators, flexible multi-point envelopes, four shapeable LFOs, sample and hold, and a random source that gives each voice its own personality. Right-click any knob to connect a source. The routing is as deep as you want it to be. New in version 1.2: the Genetics panel lets you evolve your patches through an interactive mutation tree. Start with any sound, explore branches of subtle variations, and drill down into whatever catches your ear. The arpeggiator adds eighteen patterns — from standard ascending runs to Brownian motion and probabilistic rests — all synced to your DAW tempo. Four new oscillator modes expand the raw material available from the ground up. Full MPE support means Continua responds to every dimension of expression from a Linnstrument, Osmose, Roli Seaboard, or any MPE controller. Or play it with a standard keyboard and automate everything else. Works as an AUv3 plugin in Logic Pro, AUM, Cubasis, Drambo, Garage Band, and any AUv3-compatible host. iPad only.