ChannelStrip vs Weeping Wall

ChannelStrip is, as its name implies, a channel strip app and AUv3 plugin. With a gate, equalizer, and compressor, ChannelStrip can provide a solid and easy-to-use channel control for your iOS mixing needs. GATE: The gate is of our own design, and very smooth. With envelope that vary from nearly instantaneous to ludicrously long, you can use it for both basic noise control and more extreme tonal shaping. EQUALIZER: Modeled on the PEV, a famous German "cartridge" equalizer, the EQ in ChannelStrip is super useful for basic tone shaping. A very smooth and forgiving general-purpose EQ. COMPRESSOR: The compressor in ChannelStrip is, at its heart, our Rough Rider model. We removed all the filtering from Rough Rider to make it cleaner, and changed the times to be more appropriate to general mixing duties. I/O: ChannelStrip has positive gain on both the input and output, to get your levels right. It also has a bit of a personality on the output stage if you drive it hard (with either or both the input and output gains). Nominally very clean, it picks up a bit of dirt with high levels just like a hardware console. Along with that, both mute (which mutes the input entirely) and bypass (which sends the inputs right to the outputs without passing the DSP stages) are available as automatable parameters. In short, ChannelStrip is a general utility mixing tool, with a bit of character and a lot of usefulness. We _strongly_ recommend you use the AUv3 version. The standalone is provided as a courtesy, but ChannelStrip is designed as an AUv3 plugin, and prefers to be hosted in a DAW or modular host like GarageBand, AUM, Cubasis, nanoStudio, etc.

Weeping Wall is a standalone app and AUv3 plug-in. WW is a set of microloopers that automatically record based on input detection. Each new sound will be smoothly introduced and replace older sounds, resulting in a group of sounds that always reflect the most recent input. Each looper behaves independently - their size can vary and they will beat against each other as they phase. Up to 5 loopers are available to record into, with repitching and reverse controls as well. A dedicated “jitter” control allows you to randomly vary the size of each looper on each loop, creating variations that will never be heard again. Weeping Wall can be used as an effect directly on a track, or as a send effect. WW is intended to be a modular tool; it doesn’t include reverb, EQ, saturation, flutter, etc., but it plays extremely well with them. WW is a brand new effect that can be used in any number of creative ways - you can place it fully wet in front of a reverb, place a hint of it behind a saturator, combine it with your favorite pitch modulation - whatever you can dream. WW is fully compatible with automation and modulators such as Ableton CV to broaden the horizons even further. Weeping Wall has the following controls available: Threshold: The volume at which input will start recording into a looper. Looper size: The size of loopers, in seconds, from 0.1s to 3s. Jitter: A control for desynchronizing loops. Loops will be randomly shortened, and each one is free to change size independent of one another. Semitones: Repitch loops, with a range of +/- one octave. Reverse: A latching control to reverse looper playback. Looper number: Up to five loopers are available. Hold time: How long loops will be held before fading away, from seconds to forever. This essentially controls whether WW functions more as a looper or as a delay. Independent dry and wet volumes: Use WW as an effect directly on your track, or as a send effect. Beat syncing: Loopers can be synced to your tempo, from 1 whole measure to 1/64th notes. Macro-looper mode: Loops can grow to up to 60 seconds in length. Transport syncing: Loopers can be paused or destroyed on pause. Live performance mode: Enables a button-based UI designed with live performance in mind. Random skip: Loops can be randomly skipped over with some probability. Crossfade length: Control the length of the crossfade occurring at the start/end of each loop to keep sharper transients or smooth them off. Fade time: Control how long loops take to fade in/out. Filters: The wet channel can be high or low pass filtered for dialing in your sound.