Continua vs PolyPipe

Continua is a professional synthesizer for iPad, built around a single idea: everything should move. Three oscillators with five modes each — Virtual Analog, Additive, Supersaw, Supersquare, and IXA — give you a palette that runs from warm analog warmth to aggressive digital textures to sounds that have no easy name. Stack 64 sine waves. Detune five sawtooths simultaneously. Explore phase modulation borrowed from a synthesizer most people have never heard of. The oscillators are just the beginning. Continua's filters don't switch between types — they morph between them. Low pass becomes band pass becomes high pass in a continuous sweep, with resonance and two- or four-pole slope selectable at any point. Two filters running in series or parallel, each one a moving target. Modulation is where Continua earns its name. Nearly every parameter is a destination. Every knob can receive up to five simultaneous modulation sources — envelope generators, flexible multi-point envelopes, four shapeable LFOs, sample and hold, and a random source that gives each voice its own personality. Right-click any knob to connect a source. The routing is as deep as you want it to be. New in version 1.2: the Genetics panel lets you evolve your patches through an interactive mutation tree. Start with any sound, explore branches of subtle variations, and drill down into whatever catches your ear. The arpeggiator adds eighteen patterns — from standard ascending runs to Brownian motion and probabilistic rests — all synced to your DAW tempo. Four new oscillator modes expand the raw material available from the ground up. Full MPE support means Continua responds to every dimension of expression from a Linnstrument, Osmose, Roli Seaboard, or any MPE controller. Or play it with a standard keyboard and automate everything else. Works as an AUv3 plugin in Logic Pro, AUM, Cubasis, Drambo, Garage Band, and any AUv3-compatible host. iPad only.

PolyPipe is a multi-lane, polyphonic AUv3 sequencer plugin designed for creating evolving musical patterns rather than fixed, repetitive loops. Instead of thinking in terms of a single step sequence, PolyPipe lets you build multiple independent lanes, each with its own rhythm, pitch logic, octave behavior, probability, and modulation data — all running together as a coherent musical system. It comprises elements of some of my favourite sequencers of all time, all rolled into a single interface. At its core, PolyPipe takes incoming MIDI notes (or internally generated notes) and uses them as a musical “seed.” These notes are then processed through patterns, scales, transposition rules, and step logic to generate new musical phrases in real time. This makes it especially suited for generative music, complex arpeggiation, bass-and-chord splitting, and long-form evolving sequences. Each lane in PolyPipe is its own sequencer voice. A lane contains one or more patterns, and each pattern is made up of steps. Steps don’t just define when a note plays — they can also define how it plays. A step can include pitch offsets, velocity, gate length, strumming, probability, repeats (ratchets), ties for legato behavior, and even chord information. Patterns can be enabled or disabled independently, shifted by octaves, and combined with global transposition. Because lanes can have different lengths, directions, and step modes, the resulting sequences naturally phase against each other, creating variation without manual intervention. PolyPipe applies musical logic at the MIDI output stage rather than hard-coding notes upfront. Pitch values can be forced into a chosen scale and key, allowing even highly experimental patterns to stay musically coherent. Different step modes (such as forward, backward, ping-pong, random, chord, bass, or hybrid note/chord modes) let each lane behave differently, from traditional arpeggios to controlled chaos. PolyPipe Sequencer is built for musicians who want to explore ideas quickly, create unique patterns, and discover results they wouldn’t think to program manually. It rewards experimentation: small changes to probability, repeats, or step logic can dramatically alter the musical output while staying rhythmically locked and musically usable. PolyPipe Features ○ Multi-Lane Sequencer: with 4 independent lanes. ○ Pattern-Based Structure: where each lane contains multiple patterns. ○ Advanced Step Parameters: including pitch offset, velocity, gate length, auto-roll, repeats (ratchets), and legato ties. ○ Chord-Aware Steps: allowing steps to trigger chords, rotated voicing, or individual notes depending on lane mode. ○ Multiple Step Modes such as Up, Down, Ping-Pong, Random, Drunk, Chord, Bass, and hybrid note/chord modes. ○ Chord Strumming: allowing guitar like strumming patterns. ○ Polyrhythmic Playback: through lanes and patterns of differing lengths and directions. ○ Probabilistic Sequencing: with per-step chance and variable repeat behavior for evolving patterns. ○ Octave Transposition Control: per pattern and globally for rapid harmonic variation. ○ MIDI CC Sequencing: allowing lanes to output modulation data. ○ Real-Time MIDI Interaction: where incoming notes influence pitch selection, chords, and playback behavior. ○ Live-Safe Parameter Editing: with immediate feedback and no need to stop playback. ○ Generative-Focused Design: optimized for long-form evolving sequences rather than static loops. ○ Long Patterns: up to 32 steps in length, chain-able up to 128 steps. ○ 4 MIDI Output Ports: allowing each of the 4 phase-locked arpeggiators to be routed to a different instrument. ○ Global Swing: allowing 8th- and 16th-note swing across all 4 arpeggiators. ○ Rhythm Generator: creates rhythmic patterns that are none chord/scale specific.