Gain Stage Vintage Clean vs SpaceFields

This plugin sounds totally unlike any existing hardware amp but it also sounds totally different from any other software amp plugin. If you need for a perfect copy of your favorite tube amplifier this is not the amp you are looking for. However, if you want something new and different with a warm, softly saturated tone and none of the harsh fizziness found in badly-designed software amps then you will love Gain Stage Vintage Clean. Gain Stage Vintage Clean has a unique feel that becomes warm and punchy as you increase the input gain. The unusual design of this amplifier eliminates more than 99% of the unpleasant aliasing noise typically associated with software amps. Compared to other amp sims, listeners immediately recognise that is has a sweeter, more natural tone quality. Compared with real guitar amps, it takes more gain to push this plugin into distortion so when you increase the gain it will become warmer and more but it won't easily go into heavy distortion. When we started work on this plugin we intended to build a software amp that handles every style from clean country to hardcore and metal but when we discovered that its design doesn't handle high-gain distortion tones, we started working on a new design that more closely resembles real high gain guitar amplifiers. However, since many of our beta testers liked the clean and low-gain distortion tones that this design makes, we are releasing Gain Stage Vintage Clean as a separate software amp with a sound that you can't get anywhere else. Gain Stage Vintage Clean includes six amp models: Four clean amps, one blues amp and one crunch-style amp. It also has everything you need to get a basic clean guitar sound: two five-band equalizers, stereo cabinet simulation, reverb, and a peak limiter. NOTE: GAIN STAGE VINTAGE CLEAN IS AN AUDIO UNIT PLUGIN. IT RUNS INSIDE A HOST APP SUCH AS GarageBand OR AUM. IT DOES NOT RUN AS A STANDALONE APP.

Loop-based mangler effect to create slowly changing rhythmic sound structures in deep reverb space from any external sources or samples. Great for experimenting and designing ambient and noise backgrounds with rhythmic elements. The principle of the application is quite simple. It is based on a loop recorder with two loops. When one loop is recorded, the second is played back. When the loop recording stops, there is a smooth transition between them. Three separate outputs can playback the recorded loop with different pitches (speeds), each with its own effects and two automation generators. The mix of these outputs is fed to the convolution reverb. The reverb is packed with a set of long and deep sound spaces that create a blurry and ambient sound. But the main feature of this application is its well designed parameters that make it easy to experiment with a huge number of sound options using any source material from live instruments to synthesized sound. With just two parameters you can add complex rhythmic structures based on Euclidean rhythms, and easy-to-use automation generators with a randomize option to add variations to the sound, allowing you to modify parameters like an LFO or based on a given rhythm. The convolution reverb has advanced options with which you can change and extend the original reverb spaces. Even using the randomization options, in almost every case, you will get interesting and various soundscapes and textures. With these options it is very easy to create the basis for new unique presets. It only takes a little tweaking of some parameters to get impressive results. The loop recorder can be started and stopped manually or by input signal, can use fixed length or overwrite the loop while recording, and has the option for crossfade between the end and the beginning of the loop. All this makes it convenient for live use as well as when processing recorded material. As an extended option, you can use a special mode in which the application works as a direct effect, without the loop recorder. The special mode sampler is designed for quickly load samples and easy control of the application when used it live. This panel contains the input and output controls, essential controls of the loop recorder, and a large area with a recording counter, which is also used to start/stop the recorder. You can assign up to nine samples for fast loading into the loop, as well as save a recorded loop as a sample and to an external file. SpaceFields is a universal application for iOS and macOS. It can work on iPhone and iPad as well as Mac / MacBook with M1 chip (and later). SpaceFields works on iPhone and iPad standalone, as an Audio Unit or Inter-App Audio module, with supports Audiobus host app. On MacOS, SpaceFields can works both as a standalone application and as an Audio unit (AUv3) with DAWs and other hosts that support AUv3 plugins. All application features are available on iOS and macOS, including MIDI support (with a MIDI learn option), audio unit parameters and importing samples from any directory on device. SpaceFields has a built-in detailed description of all parameters also available as PDF file on the application site. Demos and previews: https://www.youtube.com/watch?v=cL1Dis3u0AQ https://www.youtube.com/watch?v=TpkWkc5I0uE https://www.youtube.com/watch?v=74LyfDM2dQM You can find more information on SpaceFields and other creative audio apps at: https://motion-soundscape.blogspot.com