WOOTT vs BLEASS Flanger

WOOTT is an Audio Unit plugin (AUv3 audio effect) inspired by the infamous OTT sound. WOOTT uses a triple band dynamics algorithm with simultaneous downwards AND upwards compression, and adds a dedicated limiter to each band. So what's all that techno mumbojumbo good for? 1. First, it slams all the loud, dominant aspects of your sound 2. Next it blows up all the subtle quiet bits that were hiding below As a result, it's perfect for: - Blowing up average sounds to massive proportions - Giving an aggressive sharp edge to synthesizer filters - Bringing out subtle details and movement that would otherwise get lost in the mix (in a hamfisted way, though) - Dusting off old breakbeat samples and loops - Hyping specific aspects of your synth lines - Making generally boring things more interesting WOOTT features: - AUv3 audio unit effect plugin - Universal (all iPads and iPhones supported + MacOS M & Intel) - Runs in all your favorite AUv3 plugin hosts: Cubasis, AUM, Beatmaker 3, Nanostudio 2, Garageband, etc. - Multi-output (requires compatible host) for post-processing the individual bands - Low-resource, so stack as many of them as you like - "[WO]OTT all the things!" - Downwards *and* upwards compressors (a rare feature on conventional dynamics plugins) - Smart soft limiter per band, adapts to its own band's specific settings - Mono switch makes low-band signal monaural for an extra tight bass Note: this is not a subtle effect. If subtle and minimal are what you're after, this is not the droid you're looking for :-)

BLEASS Flanger harnesses the sonic characteristics of classic flanger effects and brings them fully up-to-date with a pair of flexible LFOs, variable modulation routing, an envelope generator and beat synchronisation. Classic flangers are a delay-based effect, and modulate the delay time to create the distinctive, repetitive flanged sound. But with BLEASS Flanger, multiple modulation sources are combined to create detailed, complex and evolving timbral movement within your sound. The addition of an envelope generator, which is triggered by the incoming signal, adds an additional dimension to the flanger effect, making it sensitive to the dynamics and nuances of your performances. The second LFO can take the sonic possibilities further still, with the option for it to modulate the delay’s feedback strength or stereo width. The tonal character of the effect can be controlled easily thanks to the multi-mode input filter, whilst the ability to synchronise the LFOs to the beat of your music allows you to explore completely new rhythmic and evolving effects. BLEASS’ trademark interface design ensures this powerful collection of tools are both easy and fun to work with, so you can harness their sonic versatility without ever hindering your musical creativity. And with super-efficient CPU usage, and compatibility with all major hosts and DAWs on desktop, iPad or iPhone, BLEASS Flanger is the only flanger you will ever need. More information on https://www.bleass.com/flanger/