WOOTT vs BLEASS Granulizer

WOOTT is an Audio Unit plugin (AUv3 audio effect) inspired by the infamous OTT sound. WOOTT uses a triple band dynamics algorithm with simultaneous downwards AND upwards compression, and adds a dedicated limiter to each band. So what's all that techno mumbojumbo good for? 1. First, it slams all the loud, dominant aspects of your sound 2. Next it blows up all the subtle quiet bits that were hiding below As a result, it's perfect for: - Blowing up average sounds to massive proportions - Giving an aggressive sharp edge to synthesizer filters - Bringing out subtle details and movement that would otherwise get lost in the mix (in a hamfisted way, though) - Dusting off old breakbeat samples and loops - Hyping specific aspects of your synth lines - Making generally boring things more interesting WOOTT features: - AUv3 audio unit effect plugin - Universal (all iPads and iPhones supported + MacOS M & Intel) - Runs in all your favorite AUv3 plugin hosts: Cubasis, AUM, Beatmaker 3, Nanostudio 2, Garageband, etc. - Multi-output (requires compatible host) for post-processing the individual bands - Low-resource, so stack as many of them as you like - "[WO]OTT all the things!" - Downwards *and* upwards compressors (a rare feature on conventional dynamics plugins) - Smart soft limiter per band, adapts to its own band's specific settings - Mono switch makes low-band signal monaural for an extra tight bass Note: this is not a subtle effect. If subtle and minimal are what you're after, this is not the droid you're looking for :-)

BLEASS Granulizer is an innovative granular effect processor crafted for musicians, producers, and sound designers who want to transform incoming audio signals into rich, evolving textures and immersive soundscapes. It works by slicing audio inputs into small "grains" and reassembling them through real-time modulation of different parameters that you can visualize thanks to a 3D visualizer: Modulate - Volume - Pan (represented by width in the visualizer) - Size ( = grain’s duration) - Density ( = frequency of grains generation) - Offset ( = the amount of time between record and play represented by the depth in the 3D visualizer) - Backward/Forward Playback Direction - Shape ( = grain’s envelope, represented by the height dimension in the visualizer) - Warmth ( = strength of the distortion applied to the grain) - Tune ( = grains can be pitched up or down according to different modes: “Fine” / Chromatic / Major / Minor / 5th / Major 7th / Minor 7th / Octave. The amount of randomization can be set with the “dice” knobs. Density, grain size, and offset range can be freely synced or beat synced to the host’s tempo. Touching and holding the visualizer modifies pan and density. BLEASS Granulizer takes up to 4 sources from different busses as inputs (compatible host required such as AUM). When multiple busses are on, each grain is randomly extracted from one of the available sources. BLEASS Granulizer is your unique granular texture effect for reshaping any audio source into a dynamic granular soundscape in ways you've never imagined. Check out www.bleass.com/granulizer for video tutorials and more info!