New Path vs 2099 Techno

Create surprising rhythms and harmonies by having colored shapes follow arrows on a two-dimensional grid. New Path is a unique and playful tool that drastically changes the way you make music. Pick an instrument for each square or triangle (shapes) and let them walk around. Rotate the arrows to alter their paths. Now choose from an exotic list of arrow types to spice things up. Shapes also have a mind of their own. By using crossroads and teleports they will have to decide for themselves which direction to take. This phenomenon will give you endless surprising results, but you’ll be able to keep full control by adjusting each crossroad/teleport bias. • Use the factory sets to play around and have lots of fun instantly! Or, • Create your own sets with the many features available! Each arrow contains adjustable values such as pitch, note duration, volume, etc, while shapes can interpret these values in their own way. For instance, a shape can add an octave to each pitch it comes across, so it will play all the notes one octave higher. Use delay and reverb to add flavor, use the advanced preset and generator systems to save and modify the grid, use the rules system to determine what should happen when two shapes meet, and much more. New Path is also able to communicate with other hard- & software. With the MIDI out feature, New Path can control for example your hardware synthesizers. Use the Ableton Link feature to sync Link-enabled devices and play together with your friends. And finally, the Audiobus integration lets you send both audio and MIDI to other apps on your device (You will need the Audiobus app). Key Features • A well thought out interface designed for both fast editing and playing live on-stage • Have surprising results with exotic arrow types such as crossroads and teleports • 70+ instruments such as Drums, Bass, Plucked, Synths, Acoustic, and Fx • Midi editor with a scales system • Many useful shape settings such as: Attack, Release, Note Value Multiplier to make non-western rhythms, etc • A preset system to instantly save and recall grid and shape settings • An advanced grid generator/modulator • A system of “If-Then” rules to trigger actions when shapes meet each other • A mixer with Delay and Reverb • 5x5 Arrow Cells with data such as: velocity, note duration, note value, repeat chance, crossroad chance, CC out, and much more… • 9 Tutorials with example sets to get you started
 New Path supports • Ableton Link • iCloud device sync • iCloud export/import • Audiobus support (midi and audio) • Midi out
 In-App Purchase • Arrow Skins • Instrument Expansion Pack • Audio Unit v3 (AUv3) About AUv3 • In case you bought New Path before 28th December 2022 (for $6.99), email a screenshot with proof of your purchasing date and we’ll email a promo code for the AUv3 feature (info@studiothezooo.com) Get New Path today to create a treasury of musical gems! * Runs on iPhone 5s with iOS 11.0 and above

2099 Techno writes complete tracks. Press generate and you get 76 bars with an intro, builds, two main sections, a breakdown and an outro, played by a virtual-analog engine and a 909-style drum machine. Bass, acid, stabs, pad, a lead line and the kit, through a dub delay, chorus and reverb. Nothing is sampled. Every note is made on the fly and no two tracks come out the same. The music comes from chaos maths. Three Lorenz attractors shape the melody, the rhythm and the mood. Three separate logistic maps run underneath the drums, the bass and the acid line, so they wander independently: turn the logistic control down and the hats and perc repeat every bar, turn it up and they never do. Chaos on its own is noise, so a small model filters it. It gets rewarded for consonant intervals and rehearses two hundred notes over the changes before it writes anything. The CHAOS / TASTE slider decides how much say each one gets. Eight styles, and they are properly different. Detroit rolls an off-beat bass under syncopated stabs. Dub Techno holds one chord for four bars and lets the delay do the work. Acid runs a 303 line with slides and accents. Hard pushes past 140 with a Reese bass and the drive up. Minimal takes most of it away. Every track is built from its seed. Write the seed down and you can have that exact track again, note for note, whenever you want it. You can play over it, too. The pads are the notes of the track's key rather than a piano keyboard, so nothing you touch is wrong, and the sixteen-step lane runs in time with the track and follows your host. Both play any part you like: bass, acid, stabs, pad or lead, through that part's sound and out on its MIDI channel. Choose which sections the lane plays in - just the breakdown, say - and preview it on its own without starting the track. Turn on RADIO and it keeps playing, picking a new key, mode, style, sound kit and tempo for each track. You also get: • 8 styles, 6 dark modes, 12 keys, tempo and density • Two-oscillator analog voice with sub, noise, resonant filter and glide • 22 presets and 9 sound kits, from Warehouse to Game Boy, plus random patch • Six-part mixer, dub delay, chorus, plate reverb and a global sweep filter • A PLAY panel: pads in the track's own key, and a 16-step lane with accent and slide, running in time with the track and only in the sections you pick • MIDI in, so your keyboard plays whichever part you have selected • MIDI export: six tracks, one per part • Live spectrum, waveform and a view of the chaos engine at work Two Audio Units, an instrument and a MIDI processor. Each part sends on its own MIDI channel, drums on 10, so one instance can drive six instruments. The MIDI version passes your keyboard through instead of swallowing it. Both follow your host's tempo and transport. One install registers both. The app is free and nothing in it is held back. Using the Audio Units inside other apps is a one-time purchase, and each AUv3 session plays for two minutes first so you can try them properly.