JAX ESSENTIALS vs Chiptune Sequencer

( THIS IS AN AUDIOUNIT. AudioUnits are app extensions, requiring any audio host application to perform. ) Use the same AudioUnits across all modern Apple devices, including the iPhone and the Mac (Apple Silicon). Native MacOS apps like GarageBand, MainStage 3 and Logic Pro X are fully supported. Any 3rd-party AUv3 supporting host should be able to host the plugin too. The JAX ESSENTIAL SERIES Phaser is a multi stage phaser modulation effect that uses multiple allpass filters, to produce all kinds of the famous phaser effect. A low frequency oscillator modulates depth and speed of the filter modulation on both stereo channels for various living and moving sound nuances. Make static sounding voices more interesting or create sweaping special effects. You may share the presets for this effect across all your supported devices. Around 200 factory presets are included, you can make and export/import your own. The complete manual is included and can be previewed on our support website: https://audio.digitster.com For advanced usage (i.e. mastering and exciting), we recommend to select the phaser from our SELECTIVE RANGE SERIES, which allows to limit the frequency range for processing. This build is truly 'universal', meaning, the audio unit is available for: - iOS (all actual iPhones) - iPadOS (all actual iPads) - macOS (Apple Silicon) - visionOS (Apple Vision Pro) Requirements: MacOS 11.0++ iOS 14.0++ Behaviour on all devices is identical. The parametric interface is resizeble and adopts to any screen size and orientation. This especially applies to Logic Pro X and all hosts with adjustable window sizes on all platforms. Display contrast can be adjusted freely and is now saved with each preset.

C.H.I.P. is a Chiptune Handheld Instrument Player: sequence and build four channel chiptune, the sound of a 1989 handheld console. Arrange is your song. Sections stack top to bottom and play in order. Drag one to move it, or drag its right edge to loop it. Pattern is where notes go. Four lanes down, time across. Tap a cell, then play a key or a drum pad to fill it. Effects come from a menu you can read, so you pick Arpeggio, major instead of memorising a code. Sound is the synth. Every control has a plain name, a sentence saying what it does, and a button to hear the result. There is a preset library if you would rather start from something that already works. Song is everything else. Tempo, tuning, the mixer, saving, and export. The whole interface is drawn a pixel at a time, in the style of an early nineties desktop. Have it in grey, or behind a green LCD. Every sound is made as you play. Nothing streams, and there is no sample pack hiding in the background. Two pulse channels, a wave channel you can shape, and a noise channel, emulated at the register level so the controls mean what they meant on the original chip. Plug in a MIDI keyboard to play the instrument you are editing, and write notes straight into the grid. Export a mix as a WAV, or the song as a MIDI file to carry into whatever studio you use. There is a compare screen for the curious. Load a recording of real hardware and it lines the two up to the sample, matches their levels, and tells you how far apart they are and where. You can listen to just the difference. Songs and save files read and write in their original layouts, byte for byte, so something you write here can go back to the device it came from. Whether you want a quick lofi beat or a finished song, it is a music maker for sitting down and actually writing. Made for people who like retro sound and do not want a manual to get going.