Maestro Lite vs k

A musically visual metronome that inspires musical expression rather than mechanical execution. When practicing with this metronome, the animated beat patterns will reinforce the peripheral vision used when following a conductor. Be able to practice without the click, while keeping to a strict tempo. Always know where you are INSIDE the beat with the traditional musical beat patterns developed over ages of musical performance practice, not an arbitrary circle or side to side motion for all meters and styles. This metronome is an invaluable learning tool for conductors when using the Conductor's Point of View. All the conducting patterns are based on Max Rudolf's "Grammar of Conducting" and my professional conducting experience of 20+ years. Instructions: Double tap to start. Swipe horizontally or pinch to stop. Long Press triggers Tap Tempo, tap anywhere more than twice to set the tempo. Then wait and it will start conducting. Features: • Adjust the tempo, 16 to 256 bpm, by dragging up/down anywhere, using the + and - buttons, or by tapping it via Tap Tempo • Maestro Lite has 2 beat patterns (meters): 3 and 7(2+3+2) - The paid version of Maestro has 48 different meters: 1 through 12(3+3+3+3) • Staccato, Neutral, Legato, and Reduced (see below) pattern styles • Patterns are displayed from the Performer's or Conductor's Point of View • Optional 2, 3, or 4 subdivisions of the beat • Set 0, 1, or 2 'pick-up' beats (get playing quicker) *** While you can demo the preferences in Maestro Lite, it will NOT save your choices. *** Preferences: • Tryout 16 types of 'tick and 'tock' sounds • Change colors of the baton, pattern and texts • Alter the transparencies of the beat pattern and background image A note about pattern variations and reductions: A 5/4 bar can be divided either 3+2 or 2+3 depending on the music. The 'Reduced' style: At faster tempos, a legato 3 pattern turns into a one pattern while still clicking the three beats. A 6(2+2+2) changes into 3 while a 6(3+3) changes into 2 while still clicking 6 beats. The Automatic Reduction setting automatically adjusts the pattern when the tempo reaches a level that requires it. Switching the Reduced Pattern switch on, forces the reduced pattern at all tempos. Conductor's Point of View - automatically flips the beat pattern for conductors to learn and practice the patterns. This mode shows you the path the tip of your baton should take while conducting. Performer’s Point of View - the conductor’s beat pattern as seen from the ensemble musicians. Recommended view while practicing your instrument. Supports all orientations for easier use while plugged in.

The purpose of this metronome is to eventually eliminate the need for itself. The goal, of course, is to master the exercises without the help of an electronic aid. Until then, this tool may offer some support. Please keep in mind, however, that the primary function of the k-metronome is to facilitate the application of Karnatic (South Indian) rhythmic principles to Western music. # Features - Tuplets, or pulse divisions (gati or nadai), ranging from 2 to 13 - Tuplet phrasing (tuplet randomisation to help ultimately master the rhythm pyramid) - Tuplet groupings or accents applied to tuplets (jathis) - Fade feature to practise groupings or advanced polyrhythmic chains - Nested tuplets - Flexible user sequence design based on numbers, paving the way for various creative approaches to - practice - Polyrhythm chains, e.g. 4:5, 5:3, 20:3 - Video tutorials and how-tos - Keyboard shortcuts - Presets can be stored locally, exported and shared Please note that any parameter changes will take effect on the next beat. Combined with keyboard shortcuts, this feature offers great flexibility for interactive practice, distinguishing it from other metronome apps. This practice tool aims to be helpful for students of the "Applications of Karnatic (South Indian) Rhythm to Western Music" programme at the Conservatorium van Amsterdam. It may also inspire other musicians who want to explore the intricate world of rhythm and enhance their skills through the solid methodology laid out in Rafael Reina’s book Applying Karnatic Rhythmical Techniques to Western Music (Routledge, 2015). Of course, the primary credit goes to the incredibly rich karnatic and Hindustani traditions and to the brilliant musicians who have shaped this unique musical art form. One of the most outstanding mridangam players and konnakol artists of his generation is B. C. Manjunath. He is also well known for his contributions to the worlds of jazz and contemporary music, for example through his work with Aka Moon, Riccardo Nova, and many others. At its core, k-metronome is designed from a Western pedagogical perspective, while drawing deeply on Karnatic rhythmic principles.