Nizo vs ARK Infrared

Record. It’s already a film. Press record and stay with the moment. The work disappears. The moment stays. RECORD Each moment becomes part of one film. No setup. No modes. Nothing pulling you away from what matters. LOOK Choose a look to shape the moment. See it as you record. PLAY Press play. Your film is already there. From first moment to last — one film. SHAPE Refine if you want. Or leave it as it happened. Trim, reorder, or remove moments. No panels. No timelines. Just the film. FINISH Add music if it feels right. Moments flow together as one. — THE ESSENTIALS • A simple camera • Moments join as you record • Manual controls when you want them • Choose a look as you record • Trim or reorder moments • Remove a moment with a flick • Smooth transitions and sound across your film • Add music from your library • Save to your Photos Best of 2019 — Apple Keep life as it happens.

ARK Infrared turns ordinary photos into infrared photographs — the way they would look shot on IR film through a real filter. It is not a color preset. The engine reads every pixel for the physical evidence infrared responds to — chlorophyll, sky light, tungsten heat — and rebuilds the image the way film would record it. Foliage glows. Skies go black. Nothing is painted on. FOUR FILMS BW — black & white infrared, 590–850 nm. The look of Kodak HIE: glowing foliage, dark skies, halation bleeding around highlights. The dial sets the filter wavelength. AERO — Kodak Aerochrome false color. Vegetation turns red, everything else keeps its neutral tone. The dial moves through the Wratten filter series (#12 to #25), exactly the axis practitioners used on the real film. NIGHT — infrared at night. Tungsten lights blaze, foliage burns red against a black sky. The dial sets how deep into red the film goes. The engine adapts to each photo's white balance automatically. MOON — day for night. Shoot in daylight, get a moonlit night — the way the eye actually sees in the dark: reds sink first, color drains, the day sky goes deep. Not a blue wash. The dial sets how far into the night you go. FILM BACK FOR VIDEO Load a clip. The deck tunes on a poster frame, live; one key renders the whole clip in the same film — every frame through the full engine. INSTRUMENT, NOT APP One aluminum deck. A tuning ruler, an exposure dial, one red key. Live rendering while you drag. Tap the nameplate to read what infrared light actually is — with Herschel's 1800 experiment you can run with your finger. Exports in 10-bit HEIF at full resolution. No account. No network. Your photos never leave the device.