Mobile POD vs Black Distortion

Featuring 65 classic amps and effects, Line 6 Mobile POD® 2.0 gives you everything you need for next-generation mobile guitar processing. Create your own custom guitar tones—or choose from amazing presets designed by Line 6. It’s the ultimate creative tool for guitarists on the go. • Choose from 32 amps, 16 cabs, and 16 effects • Create, edit, and save your favorite custom guitar tones • Stream music and play along with your favorite songs • Quickly craft custom tones with drag-and-drop editing • Record with all major iOS-compatible audio interfaces and apps TONE EDITING MADE EASY With a sleek and modern user interface, Mobile POD 2.0 makes it easy to dial in the perfect guitar tone. Stack one amp and cab and up to eight effects in any order with easy-to-use drag-and-drop editing. Then save and recall your favorite tones with ease using advanced patch management capabilities. BUILT FOR JAMMING Featuring an integrated music playback engine with music streaming capabilities, Mobile POD 2.0 enables you to play along with your favorite songs using your custom tones. Plus, you can use the built-in song looper to polish your solos or build new song ideas. ROCK WITH THE WORLD’S BEST AMPS Mobile POD 2.0 puts the world’s best amplifiers and cabs in the palm of your hand. Mix and match amps and cabs to create your own unique sound, save your custom presets and then dial them up in an instant. CLASSIC AND MODERN EFFECTS From classic reverb to powerful overdrive to surf-style tremolo, Mobile POD 2.0 will inspire your playing with 16 awesome effects. You can even combine effects and create your own custom sounds. MOBILE RECORDING FOR GUITARISTS Mobile POD 2.0 is compatible with all major iOS interfaces—including Line 6 Sonic Port™ and Sonic Port VX. Mobile POD supports the Apple Inter-App Audio feature and is AudioBus ready, so you can record with GarageBand® or the DAW app of your choice. 32 GUITAR AMPS BASED ON* • 1964 Fender® Deluxe Reverb® • 1959 Fender® Bassman® • 1960 Tweed Fender® Champ® • 1965 Blackface Fender® Twin Reverb® • 1968 Marshall® Plexi (100 watt) • Marshall® JTM-45 meets Budda® Twinmaster • Budda® Twinmaster head • 1960 Vox® AC15 • 1985 Mesa/Boogie® Mark IIc+ • 1995 Mesa/Boogie® Dual Rectifier® Head • Dumble® Overdrive Special (Drive Channel) • 1989 Soldano® SLO Super Lead Overdrive • 1987 Roland® JC-120 Jazz Chorus …and more 16 SPEAKER CABINETS BASED ON* • 1960 Fender® Tweed Champ® • 1964 Fender® Deluxe Reverb® • 1965 Fender® Blackface Twin Reverb® • 1959 Fender® Bassman® • 1960 Vox® AC15 • 1995 Matchless Chieftain • 1996 Marshall® (Celestion® Vintage 30s) …and more 16 STOMPBOX AND RACK EFFECTS: • Overdrive • Compressor • Tremolo • Chorus • Flanger • Rotary • Delay • Room Reverb • Spring Reverb • 4-Band EQ • Wah …and more * All product names used in this description are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development. Fender, Deluxe Reverb, Bassman, Champ, Twin Reverb are registered trademarks of Fender Musical Instruments Corporation. Marshall is a registered trademark of Marshall Amplification Plc. Celestion is a registered trademark of KH Technology Corporation. Budda is a registered trademark of Laughing Buddha LLC. Vox is a registered trademark of Vox R&D Limited. Mesa/Boogie and Rectifier are registered trademarks of Mesa/Boogie Ltd. Dumble is a registered trademark of Dumble, Howard Alexander. Soldano is a registered trademark of Gremlin Inc. d/b/a Soldano Custom Amplification. Roland is a registered trademark of Roland Corporation. Line 6, POD and Sonic Port are trademarks of Line 6, Inc. All rights reserved. Apple, GarageBand and iCloud are trademarks of Apple Inc., registered in the U.S. and other countries.

The Black Distortion plugin modeled on RAT2* distortion pedal will be your go-to distortion plugin for every recording, whether it’s rock, blues, punk, or jazz. The beauty of the Black Distortion plugin lies in its versatility. Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads. Do you have an amplifier plugin with too much headroom? Let the Black Distortion plugin be your dirty channel. Maybe you already love your amplifier plugin distortion. Use the Black Distortion plugin as a boost for solos and get the extra kick you need. The Black Distortion plugin features the legendary filter control. Turn it to the right to roll off brittle high-end frequencies. Having trouble cutting through the mix? Turn it to the left and allow the natural brightness of your instrument to shine through. Black Distortion plugin dials in the perfect amount of gain, from mild overdrive to full out fuzzy assault, and the volume control lets you dial it in just perfectly against your bypassed clean tone. Legal Disclaimer: *All product names are trademarks of their respective owners, which are in no way associated or affiliated with Nembrini Audio SRL. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Nembrini Audio’s sound design process. Works as a standalone app, AudioUnit v3 effect, or Inter-App Audio effect