Mobile POD vs Overloud THU

Featuring 65 classic amps and effects, Line 6 Mobile POD® 2.0 gives you everything you need for next-generation mobile guitar processing. Create your own custom guitar tones—or choose from amazing presets designed by Line 6. It’s the ultimate creative tool for guitarists on the go. • Choose from 32 amps, 16 cabs, and 16 effects • Create, edit, and save your favorite custom guitar tones • Stream music and play along with your favorite songs • Quickly craft custom tones with drag-and-drop editing • Record with all major iOS-compatible audio interfaces and apps TONE EDITING MADE EASY With a sleek and modern user interface, Mobile POD 2.0 makes it easy to dial in the perfect guitar tone. Stack one amp and cab and up to eight effects in any order with easy-to-use drag-and-drop editing. Then save and recall your favorite tones with ease using advanced patch management capabilities. BUILT FOR JAMMING Featuring an integrated music playback engine with music streaming capabilities, Mobile POD 2.0 enables you to play along with your favorite songs using your custom tones. Plus, you can use the built-in song looper to polish your solos or build new song ideas. ROCK WITH THE WORLD’S BEST AMPS Mobile POD 2.0 puts the world’s best amplifiers and cabs in the palm of your hand. Mix and match amps and cabs to create your own unique sound, save your custom presets and then dial them up in an instant. CLASSIC AND MODERN EFFECTS From classic reverb to powerful overdrive to surf-style tremolo, Mobile POD 2.0 will inspire your playing with 16 awesome effects. You can even combine effects and create your own custom sounds. MOBILE RECORDING FOR GUITARISTS Mobile POD 2.0 is compatible with all major iOS interfaces—including Line 6 Sonic Port™ and Sonic Port VX. Mobile POD supports the Apple Inter-App Audio feature and is AudioBus ready, so you can record with GarageBand® or the DAW app of your choice. 32 GUITAR AMPS BASED ON* • 1964 Fender® Deluxe Reverb® • 1959 Fender® Bassman® • 1960 Tweed Fender® Champ® • 1965 Blackface Fender® Twin Reverb® • 1968 Marshall® Plexi (100 watt) • Marshall® JTM-45 meets Budda® Twinmaster • Budda® Twinmaster head • 1960 Vox® AC15 • 1985 Mesa/Boogie® Mark IIc+ • 1995 Mesa/Boogie® Dual Rectifier® Head • Dumble® Overdrive Special (Drive Channel) • 1989 Soldano® SLO Super Lead Overdrive • 1987 Roland® JC-120 Jazz Chorus …and more 16 SPEAKER CABINETS BASED ON* • 1960 Fender® Tweed Champ® • 1964 Fender® Deluxe Reverb® • 1965 Fender® Blackface Twin Reverb® • 1959 Fender® Bassman® • 1960 Vox® AC15 • 1995 Matchless Chieftain • 1996 Marshall® (Celestion® Vintage 30s) …and more 16 STOMPBOX AND RACK EFFECTS: • Overdrive • Compressor • Tremolo • Chorus • Flanger • Rotary • Delay • Room Reverb • Spring Reverb • 4-Band EQ • Wah …and more * All product names used in this description are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development. Fender, Deluxe Reverb, Bassman, Champ, Twin Reverb are registered trademarks of Fender Musical Instruments Corporation. Marshall is a registered trademark of Marshall Amplification Plc. Celestion is a registered trademark of KH Technology Corporation. Budda is a registered trademark of Laughing Buddha LLC. Vox is a registered trademark of Vox R&D Limited. Mesa/Boogie and Rectifier are registered trademarks of Mesa/Boogie Ltd. Dumble is a registered trademark of Dumble, Howard Alexander. Soldano is a registered trademark of Gremlin Inc. d/b/a Soldano Custom Amplification. Roland is a registered trademark of Roland Corporation. Line 6, POD and Sonic Port are trademarks of Line 6, Inc. All rights reserved. Apple, GarageBand and iCloud are trademarks of Apple Inc., registered in the U.S. and other countries.

Overloud TH-U turns your iOS device into a Guitar and Bass amp simulator, to let you play live, practice or record: standalone and AUv3, with IR Loader included. Build your own rig by using an unlimited number of amplifiers, cabinets, stompboxes and studio processors in your sound chain. You can connect your guitar to the iOS device using any digital audio interface. Overloud TH-U includes: • 86 guitar amplifiers and 4 bass amplifiers • Official Randall, THD, DVmark and Brunetti models • 47 guitar cabinets and 2 bass cabinets • 73 pedal and rack effects • 1000+ Presets • 5000+ Captured Rigs Overloud TH-U includes the Rig Player, the Overloud processor which allows to reproduce captured Amps, Cabs and Rigs. Several Rig producers already joined TH-U to provide their top quality captured tones, which are now available on iOS too. The FREE version includes 3 amplifiers, 3 cabinets, 4 stompbox effects, the Rig Player, a master effect section, 18 microphones and a looper. Sign up to the Overloud account to: - unlock 17 additional FREE models and Rigs - get the iOS license of all models and Rigs at a very competitive price if you already own TH-U and Rig Libraries for Desktop Overloud TH-U for iOS runs the same DSP full processing of the Desktop version for an unprecedented simulation quality. The AUv3 included format allows you to process your DAW guitar tracks with the full power of the TH-U audio engine. You can share presets with the Desktop version using the most common cloud services, like iCloud, Dropbox or Google Drive. Overloud TH-U is stage ready: you can fully control it using any MIDI pedalboard and play with no gaps thanks to the seamless preset change feature. Overloud TH-U can process your guitar sound while the device is playing a backing track through your preferred App (Music, Youtube, Anytune, …). Overloud TH-U has a flexible sound chain: you can add any number of effects, change their order with no limitations, and set up parallel chains of effects. With the Amp Tweak feature, you can customize the amplifiers by changing the preamp and power amp tubes, and simulate the action of a Variac. The ReSPiRe 2 technology allows you to choose between the real response of the cabinet and a processed version optimized to fit into a mix and avoid frequency overlap with other instruments.