Borderlands Granular vs Fluss

Touch, transform, and explore sound with granular synthesis, a technique involving the superposition of tiny fragments of sound, or “grains," to create complex, evolving timbres and textures. “The best app for exploring sound just got better... This is 'go out and buy an iPad to run it' good stuff.“ -Peter Kirn, Create Digital Music “Borderlands has floored us. It is very rare that we find an app that is not only fun to use, but extremely useful. It is truly inspiring. The interface is stunning, the sounds are so evocative: they're a film composer's dream.” Paul Hepker and Mark Kilian, Film Composers (Tsotsi, Rendition, Eye in the Sky) “It’s beautiful, it’s absolutely great. It goes in a completely new direction. I wish software companies would make more [programs] like that for the computer and not only for the iPad.” Christian Fennesz, Experimental Musician. Interview from Tiny Mix Tapes, May 2014 “When I first saw the demo video for Borderlands Granular in 2012, my jaw hit the floor. My first thought was ‘THIS is what making music on an iPad should be.’” Sean Garland, iOSMars.com About ------------ Create, drag, and throw pulsing clouds of grains over a landscape of audio files, or use the built-in accelerometer to sculpt sound with gravity. Borderlands comes ready to play with default sample content included, but you can also load and export your own sounds via Audiobus, Audioshare, and real time input from the mic or external audio interfaces. Re-sample recordings made within the app on-the-fly for layers-upon-layers of granulation. You can also improvise alongside the app - touches and parameters may be recorded, looped, stored, and duplicated. Entire configurations of clouds, sounds, and automation can be saved into presets, or “scenes,” that may be recalled at a later time, allowing Borderlands to seamlessly transition between the studio and the stage. More information is available at www.borderlands-granular.com Instagram: borderlands_granular Twitter: @BorderlandsiPad Facebook: BorderlandsGranular

Fluss is a sonic playground designed by Bram Bos and Berlin-based musician Hainbach to let you explore granular synthesis in a hands-on way. The playful touch UI invites anything from live performance, experimentation to learning and mastering the granular concept. Multiple plugins: Import, Record or Live Process You can import your own WAVs (standalone & AUv3 Instrument plugin), Record audio (Record effect plugin) or live-process sound (Process effect plugin) to create anything from drones and granular echoes to moving microtonal audio textures. Designed for touch: Kinetic Sliders All sliders and XY pads are linked to a physics model which lets you flick and throw them around. Minimise the friction for endless bouncing motion, as an innovative substitute for traditional LFOs and modulation. There was never a better reason for using a touchscreen for music. Shimmer Feedback effect Like a shimmer reverb, except it feeds the processed audio back into the grain engine. This lets you create an endless loop of pitch-shifting spaciousness, turning even the simplest of sounds into massive woolly mammoths. - 3 Voice grain engine, each with an independent playhead - Playable via MIDI (since version 1.1) - Filter inspired by the Oberheim Xpander, including its resonant Phase filter - Kinetic sliders and pads for playful interaction with the sound - Universal design (iPhone and iPad; iPad Air 2 or higher recommended) - Custom scales, unquantised mode and even Scala-import for microtonal experiments - Use WAVs (or other audio files), record audio or load the app as a live-processing audio effect - Real world tested as an instrument in numerous live performances by Hainbach - Offers light mode and dark mode UI