iMPC vs iVCS3

Turn your iPad into an MPC with more than 1,200 samples, 50 editable programs, 80 editable sequences, and iconic MPC workflow. Need help? Have an issue or question? Please email us at support@retronyms.com. iMPC brings the look and feel of the classic Akai Pro MPC to your iPad. iMPC includes everything you need to create a beat quickly and easily. With features including built-in effects, plus the ability to create new sequences and record and overdub beats, the possibilities are endless. The app’s built-in sampler can record samples three different ways: using the mic on the iPad, using the line input on the iPad, or using the multi-touch turntable interface in iMPC to record samples directly from iTunes or other music libraries. - Exclusive iMPC sound set and classic Akai Professional sound library - "3D Perform" controls -- use your iPhone's motion sensors to control parameters - Export tracks to MPC Software for use with MPC Renaissance and MPC Studio - Share on SoundCloud, Facebook, Twitter, Tumblr, or export to your computer - 16 Levels mode: 16 levels of attack, velocity, length, and tuning - Note Variation slider: adjust attack, velocity, length, and tuning as you play - Trim and categorize samples, undo takes and erase samples - Use with Tabletop’s Timeline Editor - Tabletop Ready iMPC is free for for iMPC owners - Route to and use with your favorite Tabletop Effects and devices - Line-in allows you to resample Tabletop devices - Create new sequences, record and overdub beats - Live Sequence queuing for real-time performance and playback - Simple drag and drop program creation - Effects include delay, bit crusher, master compressor/limiter - Time correct: 1/8 note - 1/32T with variable swing - Note Repeat: 1/8 note - 1/32T timing, with latch - AudioCopy beats and sequences to compatible apps - AudioPaste samples from hundreds of compatible apps Check out our other apps in the MPC Collection: iMPC for iPhone and iMPC Pro 2. Happy music making!

iVCS3 Official EMS VCS3 emulator The VCS3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were largely designed by David Cockerell and the machine's distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case. The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track "Won't Get Fooled Again" (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3's filter and low frequency oscillators) on Who's Next. Pink Floyd's "On the Run" (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3. Description The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together. Keyboards controller DK1 keyboard controller Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released. (See: en.wikipedia.org/wiki/VCS3)