iVCS3 vs Tera Pro

iVCS3 Official EMS VCS3 emulator The VCS3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were largely designed by David Cockerell and the machine's distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case. The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track "Won't Get Fooled Again" (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3's filter and low frequency oscillators) on Who's Next. Pink Floyd's "On the Run" (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3. Description The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together. Keyboards controller DK1 keyboard controller Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released. (See: en.wikipedia.org/wiki/VCS3)

Tera Pro brings together all major sound synthesis methods on one table. No matter if you want to recreate sounds from analogue legends or explore modern digital sounds with FM, Waveshaping or Wavetable synthesis. More can be added by In-App Purchases of new modules. Add some flavour of physical modelling and modules for additive synthesis. Combine them altogether for new sound experiences far beyond your wildest dreams. Tame this overwhelming amount of possibilities with Tera Pros intelligent user interface showing you only exactly what you need, paired with realtime oscilloscopes and level indicators helping you seeing what’s going on. Connect the modules with a flexible routing method without the visual cluttering of real wire cables needed in conventional modular synthesisers FAQ What does Tera Pro have that Tera Synth doesn't have ? 1) Additional Sound Modules - Spectrum oscillator ( borrowed from the heart of Addictive Synth ) - Wave shaper / folder opens the west coast synthesis - Vocal Morphing filter - KARPLUS (aka WaveGuide ) with new "Swarm" mode ( 3 detuned delays ) 2) Revised engine - Analog Polysynth Voice Modelling with characteristic subtle voice variations of timbre, pitch and temporal behaviour to get you "The" Analog Sound. - 128 vs 32 voices polyphony - Seamless Sound Switching: change presets during play without cutting off the sound. - 8 times unison for really heavy ambients - Envelope generators with Buchla style "end of cycle" trigger for generative music - Stack/Split Sounds - New effect section 3) Redesigned User Interface - Collapsible modules for clear view of modular structure - No more nasty popups for LFOs/Envelope generators - Realtime oscilloscopes added to selected modules 4) New Presets - About 1000 additional presets in there. Tera never sounded this good... Tera Pro Specifications - 128 voice Modular polyphonic Synthesiser - Mono/Dual/Split Voice Architecture - Modules for analog and FM synthesis - Modules for Spectral Synthesis and Additive Synthesis - Karplus Strong Physical Modelling and Wave Shaping - MIDI Polyphonic Expression (MPE) - Vintage voice modelling for organic warm sound character - 1800+ Factory presets included - PDF Manual included - Standalone, AUv3 and IAA compatible - Ableton Link - Bluetooth MIDI - ... Additional modules through In-App Purchases: - Classic Wavetable synthesis with Import - Classic 6-OP FM Synthesis fully compatible to DX7 sysex files. - BrainZ multiple synthesis module based on MI Plaits Eurorack module. - RingZ physical modelling module based on MI Rings Eurorack module. - CloudZ granular synthesis module based on MI Clouds Eurorack module.