iVCS3 vs ID700

iVCS3 Official EMS VCS3 emulator The VCS3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were largely designed by David Cockerell and the machine's distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case. The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track "Won't Get Fooled Again" (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3's filter and low frequency oscillators) on Who's Next. Pink Floyd's "On the Run" (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3. Description The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together. Keyboards controller DK1 keyboard controller Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released. (See: en.wikipedia.org/wiki/VCS3)

ID700 is a hybrid FM/waveshaping software synthesizer based on the voice architecture of the Buchla 700. ID700 runs in standalone mode and as an AUv3 plugin (Logic Pro, GarageBand, AUM, Cubasis 3). HISTORY In 1987 Don Buchla released the Buchla 700 synthesizer. It was the next logical step from Don's previous digital synths (the Buchla 400, Touché, Buchla 500) but was also influenced by the synth trends of the 1980's, specifically FM synthesis and the all-in-one workstation concept. As usual, Don was ahead of the curve and the 700 never took off. Very few were sold and even fewer functioning units exist today. I always loved the sound of Don's digital oscillators, and combined with the scarcity of the instrument it seemed like a fun project to recreate it in software and reintroduce its concepts to the world. FEATURES * AUv3 and Standalone support on iOS * twelve voices of four operator FM with twelve unique algorithms * fourteen complex envelopes per voice * two hundred professionally designed presets * two waveshapers per voice * preset randomizer * over forty factory wave shapes plus an editor for user created shapes * Scala scale file support with over four thousand included tunings from the Scala scale archive * MPE (MIDI Polyphonic Expression) capability for MPE controllers like the Roli Seabord, Linnstrument, and Sensel Morph * advanced MIDI implementation (including 14-bit CCs and Program Change) * an in-depth manual (60+ pages) is available in the app and from our website * iCloud support for sharing presets, waveshapes, and tunings between devices * up to 16x oversampling