Needlepoint vs Circa Looper

Unfiltered Audio's Needlepoint is now available on iOS as a Standalone app or AUv3 plugin! Unfiltered Audio raises the bar (and lowers the tonearm) with Needlepoint: a revolution in vinyl simulation. Continuing the retro themes of their smashed-up hit lo-fi-af, Needlepoint presents a full platter of advanced physical modeling to dive deep into the warm, fuzzy sound of turntable noises and artifacts beloved by many. Of course, since this is an Unfiltered Audio plugin, you can push the needle far past realism and dive into some seriously warped sounds. While many vinyl plugins are content to use looping samples of noise, Needlepoint uses physical modeling to achieve its incredible sound. Needlepoint synthesizes all sorts and sizes of detritus and distress on a record: hair, dust mites, scratches, warping, etc. These are not randomly modeled, but rather accurately distributed onto a rotating, algorithmic platter. Changing the speed of the record can greatly change the nature of Needlepoint's impact on your sound. While you may be used to vinyl RPMs like 33 1/3, 45, and 78, have you ever wondered what it would sound like to tempo sync a turntable to your DAW? Now you can! Beyond noise, ambience, and tone, Needlepoint includes other effects to fully etch out your vibe. A single knob compressor (inspired by lo-fi-af's PRESS knob with six additional algorithms) can be added before or after the signal chain. This compressor can emulate algorithms from famous hardware samplers associated with vinyl, or even mimic the sound of analog distortion introduced by the vinyl pressing process. A BROKEN mode emulates a broken record a broken record a broken record a broken... Where were we? Oh right, a BROKEN mode acts as an unpredictable looper by jumping the grooves on your recent audio. You can automate the mode's toggle to create all sorts of cut-up and glitchy phrases. No vinyl plugin would be complete without a SPINDOWN button that creates that classic vinyl stop (and start!) sound. Here you can control the rate of the spindown to better fit the effect into your mixes. Finally, at the end of the processing chain, Needlepoint features a granular pitch shifter to help you achieve that chopped up vibe without needing to manually change the speed of your tracks. Despite all of these features, Needlepoint is incredibly easy to use. With a beautiful interface and an extensive set of presets, Needlepoint will help you itch that nostalgic scratch that your tracks need. As an AUv3 plugin, Needlepoint has been tested to work perfectly with Garageband, Drambo, AUM, Cubasis, Beatmaker, Nanostudio, apeMatrix, Loopy Pro, and more! Additionally, with its clear layout and smart resizing, Needlepoint can be used on tablets and phones with ease. (Note for Drambo users: Drambo does not yet have automatic Plugin Delay Compensation for managing plugins with latency. As a result, tracks with Needlepoint will not line up properly with other tracks. An upcoming patch for Drambo will add this feature in.)

Circa runs as a standalone app, or as an AUv3 plugin in hosts such as GarageBand, Logic, AUM and Cubase. Equal parts workhorse and abstract creative tool, Circa is a six track multi-layer looping environment that can do most of the things your popular floor pedal looper can while also paying homage to the serendipitous world of ambient looping. Each layer can sync to the host, a master loop, or free run, and can be triggered in sync, with an audio signal, or freely. Circa has seven stereo outputs (including a dedicated cue output for monitoring) and built-in reverb and delay. Add in a complete MIDI control and LFO modulation system and Circa is a full looping workstation. Features -- Multi-Layered Looping Circa has six layers that can operate independently or in sync with each other and/or the host. Circa can record from the stereo input, or self-record via an internal buss for interesting feedback possibilities. -- Standalone Or Plugin As a standalone app, Circa has its own audio and MIDI settings: choose your audio interface, sample rate and buffer size, pick the input pair, send each of Circa's seven outputs to any output pair on your interface, and select a MIDI input. Sync to incoming MIDI clock, or let Circa set the tempo from your first loop. As an AUv3 plugin, it lives inside your host and syncs to its transport. -- Designed To Be Touched And Played Circa's user interface is made for tactile manipulation, with touch strips for speed and position (including dedicated pages). The position strip can be further subdivided with slices. All this works together to turn a looping effect into a playable instrument. -- Easy To Get Along With Circa's layers each have an undo for destructive edits like recording, overdubbing, and erasing. -- Controllability And Modulation Circa has 30 modulation slots. Each one can map a MIDI controller to any of Circa's looping functions, or run an LFO: seven shapes, free-running or tempo-synced, with rate, phase and level, modulating speed, start and end position, level, panning, delay and reverb sends, filter frequency and resonance, or the slice the play head is on. LFOs swing around wherever each control is set, so the knobs stay in charge. -- Self-Contained Circa has a full internal mixer, filtering on each layer, and studio-quality send reverb, send delay, parametric EQ and compressor taken directly from Audio Damage's extensive effect library. -- Expandable And Performance-Ready Circa has 7 outputs in all: six assignable stereo outputs and a cue output for monitoring. Send any layer to any of the six stereo outputs, while keeping the cue for soloing, recording, and editing, unheard by the audience. In the standalone app, each output can go to its own pair of outputs on your audio interface. -- Ecosystem-Aware Circa's user presets are cross-platform compatible, and work on any instance of Circa, whether on macOS, Windows, Linux, or iOS. In addition, sessions created in GarageBand or Logic on iOS will open in the desktop version on macOS if you have purchased a license to that version.