True Pan vs resonatedo

True Pan makes it possible to reposition stereo recordings while perfectly preserving the geometry of the stereo field. This allows for lossless, fully reversible panoramic rotations that don't compress the stereo image. The plugin also supports more intense transformations and modulation effects. True Pan can be used to: • Pan sounds that are rich in ambience or reverb without diminishing spatial information • Adjust stereo field recordings, freely rotate the entire sound field (e.g. to change what's in front) • Easily shift sonic perspectives of fx-rich, layered stereo instrument patches • Explore a new dimension of positional reverberation • Add subtle motion to, or "liven up" omnidirectional sounds (can also be used as a special chorus effect at higher rates) • Add a dynamic spatial quality to arpeggiated or rhythmic passages using the tempo sync feature with different LFO types • Apply stronger modulation for sound design and creative uses (creating warble, flutter or stereo tremolo and glitch effects) • Aid and speed up workflows for multi-mic setups When used as a post-processor for reverbs, True Pan can provide higher temporal density and smoothness than what pre-panned reverb inputs would allow. This directly translates to a better quality, but can also be viewed as a different physical setup of the sound source and the listener in relationship to the boundaries of the acoustic space. Thus it opens up additional degrees of freedom in positioning. The plugin's approach to quality preservation is best demonstrated by its ability to transform processed audio back to its original state, by applying a reverse rotation. The included stereo spread controls incorporate features that aim to minimize volume fluctuations by adapting to the actual input signal and its M/S gain distribution, including a fully dynamic adaptive mode, and a snapshot-based one. PLEASE NOTE: • An Audio Unit v3 compatible host app is required to use this plugin • Dual mono inputs from two microphones need to be converted to a single stereo signal in order to be processable

resonatedo is a microtonal resonator bank audio effect for iOS and macOS. It contains two sets of resonators controlled by separate keyboards. Each resonator has independent pitch (set by EDO division value of the keyboard), volume and modulation. Each resonator is a delay with feedback that contains lowpass + allpass and bandpass filters. Each set has a common "color" parameter that changes balance between these filter sets in each single resonator. The "mix" control allows crossfade from dry to fully processed signal. UI features two independent keyboards with: • 4 – 72 keys (voices, steps) per octave, each with its own ring modulator • maximum polyphony equal to the number of voices; max polyphony is 144 voices • 1 – 4 octave range, covering the frequency range of about 8 – 4200 Hz • display with note number (from C), note name, frequency (in Hz), and deviation from 12-TET (in cents) • two sections per keyboard: upper for non-sustained notes, gliding, and velocity; lower for sustained notes and modulation rate • mute button to stop/start all sound • delete/panic button to erase all notes • glide button for smooth sweeps across keyboard frequency range • modulation on/off button • slider to set initial velocity and modulation levels • slider to change velocity and modulation rates for all notes on the keyboard proportionally and to show current velocity and mod rate levels • button to toggle keyboard visibility. resonatedo supports MIDI input from external sources to control each keyboard independently.